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The Cordasco House (Villa Miramar)

exterior view of old gothic gingerbread mansion with balcony and green trees
The Cordasco House (Villa Miramar) in Pacot
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

The Cordasco House (Villa Miramar)

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First impressions

If you drive into Port-au-Prince from the south-east (maybe after a weekend in Jacmel) you can’t miss the charismatic Cordasco House. At a fork in the road where you turn right to continue into PAP proper, rising above you is the yellow, orange, and creamy-brown heights of one of Haiti’s most photogenic Gingerbread mansions. This is the Cordasco House, also known as Maison Cordasco, Villa Miramar, and “Le Petit Trianon” in honour of the palace of the same name in Versailles. In Haitian Kreyòl, Cordasco House is affectionately known as Ti Trianon.

As a child, I remember sitting in the back of a pickup truck coming back from Jacmel and looking up in awe at the latticework, turrets, and high, rounded towers. The high-walled gardens overflowed with the tops of frangipani trees, their aromatic waxy flowers heavy. The house was as imposing as any fairytale castle I could conjure, and my childhood self wondered if Haiti’s own Rapunzel lived up in those towers.

Gingerbread houses are ornate turn-of-the-century buildings unique to Haiti. Like their edible namesake, Gingerbreads are famous for steep roofs and ornate details highlighted in vibrant, contrasting colours. They are architecturally fascinating for a number of reasons – not least because they’ve proven to be surprisingly resistant to earthquakes.

In 2020, I was invited by a colleague in the arts to take a private tour of Cordasco house, and I finally got to go through the tall gates I had been gazing at in wonder since childhood.

stairs to large door entrance to house with decorative metal details
Villa Miramar sign above the main entrance at the Cordasco House (Villa Miramar)
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

Take a peek inside Cordasco House

At the gates, a stone-faced guard greets me with a twinkle in his eye – one part artisan, one part soldier, I soon discover – and swings open the gate. A long, wide driveway, lined by flowering trees, winds toward the four-story turreted mansion. Large, heavy stone vases are embedded in the entryway masonry, flanking the double staircase leading to the main door.

Cordasco House and many others like it were rapidly built in Port-au-Prince starting in the 1860s, as Port-au-Prince’s economic and industrial growth skyrocketed. At that time, as Haiti’s only port open to foreign trade, it was the epicenter of commerce on the island. A new bourgeoisie class of affluent traders, businesspeople, and educated professionals flourished. Opportunity was everywhere, and as the city’s population grew in tandem with its economy, the newly wealthy class migrated out of the chaotic downtown core to the evergreen eastern hillsides of Turgeau, Bois Verna, and Pacot with gorgeous views of the bay. This district is where you’ll find many of the attractions on our self-guided gingerbread tour.

Villa Miramar, the name given to the house by its original owners, can still be seen traced in wrought iron filigree above the main entrance that arches above the grand staircase. As appreciation for the gingerbread style grew, the house increasingly became known as maison Cordasco, after one of the most famous architects of the style.

There’s two theories on who designed and built the Cordasco House. One theory claims the house was built by Fioravante Cordasco, an Italian-born architect active in Haiti until the mid-twentieth century, and an integral part of the gingerbread movement. Although the nickname of “the Cordasco house” lends weight to Cordasco theory, a joint project by Haitian art collective FOKAL and Columbia University writes that the house was actually built by Parisian-trained Haitian architect Joseph-Eugène Maximilien. According to FOKAL, Maximilien built the house in 1914 for the lady Ewald Clara Gauthier.

facade of old gothic gingerbread mansion with decorative fretworks and latticeworks
Facade of the Cordasco House (Villa Miramar) in Pacot
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

The guard waves me to drive my car past the main house, to where a second, separate building stands. A series of smaller houses stretches behind the mansion’s back, many of them with ornate balconies and gingerbread trim. Towering trees, manicured gardens and pools complete the picture.

The gingerbread architectural style in which the Cordasco House is built is truly creole, blending together foreign influences with local materials in an ornamental way. For example, Haitian gingerbread houses adopt 1830s Victorian “picturesque” features like intricate trim that resembles lace, but execute it with locally available and affordable elements like timber-slatted siding. The classic flamboyant colors of Victorian houses are intensified to neon.

Here in Haiti, the vaulted ceilings sometimes seen in Victorian architecture are an essential feature, improving air circulation in the sultry eternal summer of the Caribbean. To provide shade from the Haitian sun and accommodate the need for daily meeting space, where much of Haitian life takes place, gingerbread houses have wide galleries and porches, integrated into the faux-Victorian aesthetic with intricately adorned latticework.

Climbing up the main steps, I enter a high-ceilinged ante-chamber which opens out onto a three-story winding wooden staircase, rising up, up, up into the rafters. On either side are the principle rooms of the ground floor, framed by intricately-carved doorways.

interior of gingerbread mansion with old wodden staicase
Wooden staircase at the Cordasco House (Villa Miramar)
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

In the 1970s and 80s, the Cordasco House rose to new fame in the city as a tea house and fashionable boutique under the name Le Petit Trianon, and many of Haiti’s society ladies recall stories of lunching in these airy rooms.

The early 1990s saw the gingerbread house become a home once again, as a private residence to members of the Hudicourt family. One former resident, Lorraine Hudicourt, currently the owner-operator of La Lorraine Boutique Hotel, recalls fond memories of climbing the frangipani flower trees in the front yard in her youth, and playing hide and seek in the fourth-floor attic space with her many sisters and tribe of cousins. In those days, the gates were often open all day as children and cousins came and went, bringing life, laughter and mischief to all corners of the vast property. Housekeepers slept in the sprawling staff quarters at the top of the property, themselves equivalent in size to three Haitian middle-class houses.

Indicating where I should place my step due to earthquake damage, the groundskeeper leads me up the staircase to the second and third floors. Each doorway, each moulding, is intricately carved. Green granite countertops and Portugese tiles decorate the bathrooms. The slanted floors bely the age of this grand old lady, but do nothing to diminish her dignity or grandeur.

interior of old gothic gingerbread mansion with tile floor and structual damage
Ground floor at the Cordasco House (Villa Miramar) in Pacot
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

The Cordasco House survived the 2010 earthquake, but not without some bruising. The walls suffered several large cracks, and the three-story spiraling staircase that rises up through the house’s center was destabilized. Fortunately, though much of Haiti’s capital had been levelled by the disaster, the Cordasco House’s foundations were undamaged.

The Cordasco house’s resilience is part of a surprising trend. U.S. conservation experts discovered that only five percent of the estimated 300,000 gingerbread houses of Haiti had partially or fully collapsed due to the earthquake, in contrast to forty percent of all other structures, most of which had been considered to be in better condition. The Wall Street Journal suggests that Haiti’s Gingerbread architecture could serve as a model for seismic-resistant structures in the future.

In the immediate aftermath of the earthquake, the owners opened up “Ti Trianon” as an improvised hospital for earthquake victims, run by Medecins Sans Frontieres. Part of the house continued to be rented out to NGOs for several years, and was fitted with impromptu walls to delineate offices and cubicles. By 2018 though, many international charities had largely pulled out of Port-au-Prince with their budgets in tow, and office rental in the Cordasco House came to a halt. For two years, only the trusty guardian graced the dozens of rooms, protecting this historic property.

In early 2020, the owners threw open the shutters to sunlight once more, investing in renovations. The neighbourhood of Pacot became a flurry of movement as gallons of fresh white paint coated the Cordasco House’s interior and new scaffolding was erected against the famous facade, ready to usher in another new era of the house’s rich history.

By the time I step out onto the uppermost balcony, an orange and pink sunset is unfurling over the bay of Port-au-Prince.

balcony with decorative fretworkand latticework details
Balcony with view of Port-au-Prince at the Cordasco House (Villa Miramar)
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

Cordasco House is currently not open to the public, but you can see it from the corner of Rue Pacot and Avenue N in the area of Pacot, Port-au-Prince.

Want to see inside a gingerbread house? Here are my two top picks nearby:

Gingerbread Restaurant: For those looking for a fabulous gingerbread house as a backdrop for photos or a video shoot, we encourage you to discover this nearby gingerbread mansion of equivalent grandeur. Known for great cocktail hours by the pool, Gingerbread Restaurant also does great pizza and salads, and the herring and cod croquettes are out of this world.

Open to the public, Gingerbread Restaurant is located on 22 Rue 3, Pacot. Look for the light blue gate. Open 11am to 10pm Monday through Saturday. Closed Sundays.

Hôtel Villa Thérèse: This three-story gingerbread mansion is distinctly different from most of the gingerbread houses, but its pink turrets and ornate masonry, painted in soft yellows and vibrant blues, clearly draw on the same tradition. Villa Therese operates as a boutique hotel, but you don’t need to book a stay to see inside – anyone can visit the restaurant, open 6:30am to 9:30pm.

Hôtel Villa Thérèse is at 13 Rue Leon Nau Nerette, Petion-Ville.

For a list of gingerbread houses open to the public, check out our guide to gingerbread houses in Haiti.

exterior view of old gothic gingerbread mansion
The Cordasco House (Villa Miramar) in Pacot
Photo: Lëa-Kim Châteauneuf / Wikimedia Commons

Written by Emily Bauman.

Published December 2021


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Experience Haiti Virtually from Your Home

dramatic haitian coastline with jungle forest and speed boat
Anse Baguette beach near Jacmel
Photo: Franck Fontain

Experience Haiti Virtually from Your Home

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If you’re anything like us, the need for you to connect or even be in Haiti at this moment in time has been stronger than ever before. The last sixteen months have proven to be challenging in ways both familiar and new, and have pushed us to adapt in ways we never would’ve thought possible. As Haiti weathers the storms of the ongoing pandemic, sociopolitical unrest, and the assassination of former president Jovenel Moïse, the feeling of longing for Haiti—and in a way, for those on the island who make us feel like we’re home—is hard to fight off.

Since July 7, Haiti has felt like a liminal space where no one is quite sure where to stand or how to behave. The news of Jovenel Moïse’s assassination shook the capital as hard as it did the surrounding cities and far-away provinces. In the days following the killing, the streets of Port-au-Prince were quieter than they usually are on Sundays; worry and anticipation tainted the air, and people hesitated to venture outside for fear of what would happen next. Even though in the days since, things seem to have regained some kind of normalcy, it is very clear to everyone in Haiti that there is no going “back to normal” at the moment.

city street with traffic and old colonial buildings
Old gingerbread house in Cap-Haïtien
Photo: Franck Fontain

This leaves people like us—and people like you, too, who are enamored with Haiti, and who want nothing but to run and embrace the island—lost and confused. If the pandemic wasn’t a good time to travel to Haiti for just any reason, the recent events are even more reason to rethink purchasing a plane ticket. Just like you may be anxious to fly in for your summer vacation, we are anxious to recommend that you do so.

What we feel comfortable and eager doing, though, is recommending that you visit Haiti from home.

Right here, on Visit Haiti.

plate with grilled fish, fried plantains, fries and salat
Grilled Fish at Le Coin des Artiste – Vivano, Petion-Ville
Photo: Alain David Lescouflair

Cook Your Way Through the Island

One of our favorite things about Haiti is how accessible the country’s history and culture is through its cuisine. A lot of Haitian fruit is accessible in foreign markets, like the unmistakable Haitian mango; consider shopping at your local Caribbean shop for some of our favorite summer flavors. This is also the perfect opportunity to order some of the best rum Haiti has to offer and consider a home tasting. We love how these rums shine next to Haiti’s hall-of-fame dishes, too.

Sunset through the forest of Forêt des Pins, Haiti
Sunset, Forêt des Pins
Photo: Anton Lau

Bring the Outside Inside

If you’re a lover of nature, you might enjoy trying to spot some of Haiti’s wildlife in your neighborhood on the weekend. You’ll be pleased to know that Haiti is home to some really awesome forests, such as Forêt des Pins, too— which you’ll definitely want to put down on your list of places to see on your next trip. We have good news for avid birdwatchers, too: you can probably spot some of Haiti’s winged wildlife where you live.

A woman wearing a bikini relaxes in a window holding a book
Book reading in Haiti
Photo: Amanacer / Emily Bauman

Learn the Colors of Haiti’s Culture

Now is also a good time to read up on the richness of Haitian heritage and culture, which is sure to taint every step you take around the island as soon as you’re able to travel to Haiti again. We highly recommend checking out what to do at a vodou ceremony, or where to meet and buy from Haiti’s finest metal-workers. And until you can safely make it to the island, our How Haitian Are You quiz and Best books about Haiti Reading List are a good way to make sure you stay on your toes by the time your next trip comes around.

aerial view of coastal village with market area and boats
Sun rising over the port of Marigot
Photo: Franck Fontain

Visit Haiti, Right From Your Screen

One of the ways we are excited to help you visit Haiti from the comfort of your home is through our photo journals. Tag along on a visual and virtual tour of the island. Our photo journals come courtesy of Haitian photographers, and feature different regions all over the country. Right now, you can take a mini-trip to Saint-MarcGrand’Anse, or even Marigot.

portrait photo of young stylish haitian girl with long dreadlocks and red head scarf
Ann-Sophie in Port-au-Prince
Photo: Ted Olivier Mompérousse

Meet Haiti, Meet the Locals

In another effort to bring you closer to Haiti and its resilient, inspiring, and bright people, we are also pumped to introduce you to our Meet the Locals series. It’s no secret that Haiti and Haitians carry a bold streak; it shows in the food, and it shows in the music. What we want to share is how each individual Haitian contributes to painting the colorful picture that is Haiti today. You can start here, by reading our interview with Ann-Sophie Hamilton, a sustainable tourism advocate.

And watch our video where we speak to Isaac, a painter from Dame-Marie.


Written by Kelly Paulemon.

Published August 2021


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How to Attend a Vodou Ceremony in Haiti

group of people standing around a candle and cosmogram drawn on floor
A Vodou ceremony
Photo: Pierre Michel Jean

How to Attend a Vodou Ceremony in Haiti

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There’s no doubt that Vodou is a powerful spiritual tradition. The world’s first free black republic was formed, at least in part, thanks to the uniting spirit of Vodou. Vodou was the common thread that united leaders in the Haitian revolution, despite their lack of a common language, tribal bonds or country of origin. In the space of just a few years, in a seemingly miraculous feat against the odds, an army of slaves threw off their chains, overthrew the French colonial government, beat Napolean’s navy, abolished slavery, and formed modern Haiti.

Today, perhaps not despite but because of these powerful roots, Vodou may just be the most maligned, feared and misunderstood spiritual tradition in the western world. It’s time to set the records straight. Perhaps the best way to help celebrate the freedom fighters and dispel the myths is to attend a Vodou ceremony in Haiti and see for yourself.

Here’s how.

drummer with open shirt and sweaty chest
A drummer at a Vodou ceremony
Photo: Franck Fontain

Find out about a Vodou dans

Sacred Vodou gatherings can be called by many names, most often a ceremony, ritual or dance. In Haitian Kreyòl, Vodou practitioners often refer to the event as a dance (dans). The terms dance and ceremony will be used interchangeably for the purposes of this guide.

Find out ahead of time who and what the dance will be for

It may be helpful to ask who the dance will be for and what purpose, if any, is intended. For example, is there a specific lwa (spirit) being evoked? If the ceremony takes place in early November, it will likely be held in honor of the Gede lwa and Day of the Dead. Remember that Petwo deities are the fiery, offense-oriented counterpart of the gentler, protective Rada deities. This can help anticipate the tone of the ritual.

If this is your first time attending a Vodou ceremony, it is recommended to attend a Rada dance, not least because you’re less likely to see animal sacrifice. For example, you could attend a springtime dance held to usher in a season of abundant harvest, good luck and good health. You may wish to begin with a Rada dance for Erzulie Freda, the goddess of love and sensuality, or La Sirène, the mermaid goddess of good luck, fertility and material abundance.

The rites, devotions and overall style of ceremony will vary greatly depending on which part of Haiti you are attending the dance in. For example, Papa Legba and the twin spirits known as Marassa are all recognized through particular rites with certain rituals, dances, drum rhythms, offerings, prayers and cosmograms drawn on the ground. But the specific interpretations of a Legba or Marassa dance in Cap-Haïtien will vary from one held in Jacmel. This is true for all rites and rituals across the different Vodou temples in Haiti.

Learn more about the different Vodou Gods & Goddesses here!

older haitian woman in a red dress with blue sequins
A woman at a Vodou Ceremony
Photo: Pierre Michel Jean

Expect to be there a while

A Vodou dance can last a long time. In Jacmel for example, the rum-fuelled drummers that launch a ceremony at dusk can be found still drumming at dawn – albeit with swollen and bruised hands. So like any dance you attend in a foreign city, bring plenty of water and relax expectations of a set time for when it will end. If you want an exit strategy mid-dance, go with someone who you trust will be flexible to go when you are ready, pay your respects to the host who invited you if possible, and you can simply leave when you’re ready.

exterior of vodou temple with handpainted wall depicting spirits
Vodou peristyle in Artibonite
Photo: Emily Bauman / Amanacer

What a vodou temple looks like

Vodou dances take place at a peristil: a temple, usually round, always with a pole in the center called the central pole (poto mitan) representing the navel of the universe. Many Vodou temples in Haiti are indoor-outdoor, while others are fully enclosed or completely open to the sky. Some sacred rituals take place at waterfalls like Sodo or near a sacred mapou tree, but for the purposes of this guide, we will assume you will attend a ceremony at a peristil.

At the center of the ceremonial space, you’ll see an altar. Bottles represent gifts and offerings. Machetes are symbols of honor and respect to entities in the spirit world.

Check your cultural baggage at the door

On the altar, you may also see skulls and other human remains. While the western world associates bones with death, necromancy and spooky halloween kitsch, it is important to know that skulls hold nearly the opposite significance in Vodou. Try looking at the skull and seeing the comforting presence of an ancestor, or the balance between life and death.

While western cultures tend to avoid death and displace it from the family home, keeping the dead close is a crucial part of cultures from Romania to Indonesia to Haiti. In Vodou, death is not to be hidden from daily life, but embraced in ceremonies as a way to more fully appreciate and celebrate life.

Ancestors and dead family members may be called on to join the dance. Those who have passed away come among the community once more to offer advice, and take part in the rituals. Rather than framing this as a haunting, think of it as a glorious family reunion.

When attending a Vodou ceremony it is a good idea to approach the experience with a blank slate, and a relaxed, open mind, ready to learn. Check your cultural baggage at the door and enjoy the ride of a totally new experience!

a group of vodou practitioners dressed in white
Dancing at a Vodou ceremony
Photo: Franck Fontain

Wear something nice, but not white!

What you wear matters! Business casual attire is appropriate. Avoid loud T-shirts or anything ratty or worn outMen can dress in jeans and a short sleeve button-up shirt, and women jeans and a blouse. Aim for fancy but respectful clothing, and no lavish jewelry. Rural dances will generally be more casual.

Color is a key consideration. The purity of white is highly significant at the dance and is reserved for Vodou practitioners, so it’s best not to wear white to any Vodou ritual. Patterns and colors are acceptable – but be careful with colorful head scarves! Keep reading to find out why.

It’s helpful to remember that Haiti can be remarkably hot at nearly any time of year and even sometimes at night. Linen and cotton are your best friend, regardless of whether you plan to attend a ceremony in a city or rural environment.

Bring an offering

While a Vodou dance is no dinner party, it is appropriate to bring an offering of alcohol. Wine is not the hostess’ beverage of choice in this case. Ask if you can offer a liter or half gallon of unrefined rum, called kleren. You can buy it locally and inexpensively almost everywhere in Haiti, but the gesture is important and will be valued, particularly in rural settings. Kleren is the fuel of many Vodou dances, offered to the spirits and the sèvitè (servants of the spirits) alike. The drummers – who often play all night and into the dawn – will be especially appreciative.

a vodou priest and practitioner performing a dance
A ougan at a Vodou ceremony
Photo: Pierre Michel Jean

Beginning the dance

A series of prayers, sometimes Roman Catholic in origin, begin the ceremony. Vodou spirits who serve as gatekeepers are saluted with appropriate honors, offerings, and invocations. If invoking the fiery Petwo lwa, voudiwizans might use whip-cracks, whistles, gasoline and even lit gunpowder to get their attention.

Who leads the dance?

You will be able to identify the Vodou initiates (the men and women who will orchestrate the ceremony) by their all-white ceremonial garb. Most initiates wear traditional Haitian skirts in white, starched white blouses and a white handkerchief on the head. Some may wear colorful satin headwraps. The color of the headwrap is associated with the lwa being served that day, but it also indicates rank in the temple hierarchy.

Mambo or manbo is the name for a female Vodou priestess. Ougan is the name for a male Vodou priest. Mambo and ougan are figures of great authority and respect in the community, responsible for intervening in a wide range of societal hardships, from illness to family conflict, financial trouble or even just a string of bad luck. As intermediaries between the lwa and humans, they act as servants who restore health, harmony and balance.

Drumming is believed to create a passageway to the spirit world. It’s a rhythmic invitation to the lwa to attend the dance being held in his or her honor. Much like a radio station, when the drummers tune into the specific FM frequency of the lwa, it begins to broadcast on that channel. Each lwa has their own drum rhythm and associated dances, and there can be variations between traditions, as well – a Dahomey-descended drum rhythm is different from a Congo-descended drum rhythm. Initiates can spend lifetimes perfecting their repertoire.

cosmogram being traces on floor with hand holding a candle
A vèvè being drawn on the floor of a hounfour
Photo: Pierre Michel Jean

Vèvè cosmograms

Towards the beginning of the dance, initiated Vodou practitioners will trace a vèvè cosmogram on the floor with white powder. This takes immense skill, precision and training. These symmetrical vèvè are ancient and unique to each lwa.

Once it is traced in perfect symmetry on the floor of the temple, an essential element is in place permitting the lwa to descend. Like the unique drum rhythms, the unique cosmograms are call signs, drawing down a particular lwa. As well as the precisely-drawn vèvè on the ground, a sequined flag depicting the cosmogram is hung in a place of honor for all to see.

Learn more about the intricate art of Vodou symbols with our visual guide to the vèvè of Haitian Vodou.

Possession Trances

If the dance is a success, expect to see a possession trance. In creole the person possessed is known as the chwal (horse) that will be “ridden” by the lwa. Here’s how to identify a chwal:

You may see people with pupils dilated, people with spasmodic behaviour, seemingly out of control of their bodies doing the impossible like walking over flaming hot coals. There is no need to be alarmed when people give their bodies over to the lwa to be directed in this way. It means the ceremony is a success, and it represents a culmination of complex rites and practices that have survived hundreds of years of repression.

The trance is an opportunity for the spirit to perform healing through the possessed chwal. Blessings may take place, and it’s also a chance for the lwa to rebuke those in the community who need to smarten up and change their ways.

The possession trance may last for just a few minutes or for several hours. The chwal who has given his or her body in service to the lwa will most likely wake up exhausted, not remembering what has transpired.

people dressed in white dancing and drumming during vodou ritual
Drumming and dancing at a Vodou ceremony
Photo: Pierre Michel Jean

If you’re afraid of the devil or possession…

Put aside imagery from horror films like The Exorcist or associations of possession with demons. Instead, remember that people enter the possession trance willingly. No matter what happens, remember that Vodou is practiced to restore order, balance, health, and harmony in the lives of its followers.

Many non-practitioners both in Haiti and abroad have been taught to associate Haitian Vodou with evil, demonic possession and even satanism. This is rather silly and slanderous, as there is not even a satan figure in the Vodou pantheon of spirits who could be worshiped.

Vodou practitioners believe in a supreme god named Bondye or Gran Met who is all-powerful yet remains aloof. There is no devil counterpart to Bondye, and like the concept of “source” or “godhead”, he is not directly involved in human affairs. The multitude of lwa – spirits of the ancestors – serve as intermediaries, much more comparable to the saints of the Catholic church than demons.

Still afraid you might get spontaneously possessed? Read our article Haitian Vodou Revealed to learn why this won’t happen.

Animal sacrifice

To ask for good luck, the servants of the spirits may make a blood sacrifice. Animals like roosters, chickens, doves, pigs, and goats may be slaughtered during the ceremony. The offering can be more or less bloody depending on whether it is for a fiery Petwo bosu (bull) spirit offering compared to, say, a ceremony held in honor of the gentle rada Marassa twins.

For western travelers who have grown up aware of PETA campaigns and animal rights activism work, it may be difficult to fathom 5,000 year-old ancient rituals being practiced largely unchanged today. If you are concerned about your reaction to this ancient practice, ask for details in advance so you can decide whether or not to attend.

older haitian women dressed in pink with chair on head
Women at a Vodou ceremony
Photo: Pierre Michel Jean

Do your homework

Haiti’s National Museum in Port-au-Prince is a great place to see some of the oldest, most historic Vodou drums – some date back to the 1500’s! The Musée du Panthéon National Haïtien (MUPANAH) is located on the Champs de Mars Boulevard and features a collection showcasing the heroes of the independence revolution, and the tools they used to found modern Haitian culture.

Just around the corner from the National Museum is the Bureau of Ethnology, a museum dedicated entirely to Haitian Vodou! If possible, do visit at least one of these museums prior to your Vodou ceremony experience.

LGBTQ+ and Safe Spaces

Cross-dressing, trans identies, and all gender expressions are welcome in Vodou communities. Same-sex relationiships and behaviour are often accepted without question. No one bats an eye – in this space, at least, these minority identities are respected as servants of the goddess of love, Erzulie. Expect the dance to be a safe space. You may see men in women’s dresses and much stranger things.

haitian vodou practitioners during ceremony
A ‘Chire Aiyzan’ ritual being performed during a Vodou eremony
Photo: Pierre Michel Jean

100% Vodou

The truth is, that even some Haitians who follow the Protestant or Catholic traditions and attend mass on Sundays can be found seeking advice from a mambo or ougan during the week. In fact, a popular bumper sticker in Port-au-Prince reads “Haiti, 80% Protestant 100% Vodouisan.” For outsiders, this widely-accepted practice can be hard to understand. Yet when a family member falls ill or life situations get dire, this faith-flexibility is common. It’s part of the complex syncretism of Haitian culture, where things are multi-layered and far richer in meaning than they often seem on the surface. Some people might go so far as to argue that you cannot truly understand Haitian culture until you have taken part in a Vodou ceremony.

At the end of the day, no matter your race, religion, sexual orientation or country of origin, you will be accepted with grace and warmth at a Vodou ceremony. Everyone is respected and the protection, good luck, and wishes for good health are extended to all who attend.

What do you say? Maybe it’s time to dance…


Written by Emily Bauman.

Published January 2021.


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cosmogram being traces on floor with hand holding a candle

Parc de Martissant

lush green garden area with path
Parc de Martissant
Photo: FOKAL

Parc de Martissant

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Created in 2007 by joining together four huge estates, the Parc de Martissant provides public oasis where people can relax, share skills and culture. Students and tutors from nearby schools are often found wandering in the park, reading or chatting together. The second central aim of the park is to preserve Haiti’s beautiful native flora.

Year round, the garden is bursting with tropical sights and smells: pink and yellow frangipani, hibiscus, red ginger (or ginger lily), spider lily, the exotic ‘lobster-claws’ flower and dozens of others we didn’t know the name of.

Stroll through lush rolling lawns, roped paths, feature trees, flower guilds and wooded groves circumscribed by stone walls, natural amphitheatres and outdoor galleries as well as three separate groups of buildings, most notably the Katherine Dunham Center.

building with futuristic designed roof in public park
Katherine Dunham Cultural Center, Port-au-Prince
Photo: FOKAL

The Katherine Dunham Center

The Center was once the residence of African-American dancer and choreographer Katherine Dunham, the ‘matriarch of black dance.’ In 1935, Dunham obtained travel fellowships to the Caribbean to further her studies on dance and vodun – or vodou – leading her straight to Haiti.

Here, she spent an extensive amount of time researching, learning, and developing her own dance method. After Dunham passed away in 2006, her property was transformed into a cultural center, and now features an iconic library, whose five buildings – built to emulate movements of dance – were designed by Mexican architects Raúl Galvan Yañez and Winifred Jean Galvan. This library is a hive of activity for students and fans with cultural activities, public readings and more each week.

garden area with rosemary and other herbs
The Medicinal Garden, Parc de Martissant
Photo: Ray Ginald / FOKAL

The medicine garden

The Centre is also where you’ll find guides willing to show you around Parc de Martissant’s extensive garden of medicinal plants. The tour is very detailed, and guides are always more than happy to answer questions, but visitors are free to walk around and observe by themselves if they prefer.

Depending on the time of year, some of the plants are blossoming or yielding fruit. The medicinal plant garden sits adjacent to a community produce garden, whose bounty is gathered whenever it is ripe and made available to the local community.

old concrete swimming pool without water in a tropical garden
Habitation Leclerc, Parc de Martissant
Photo: FOKAL

Habitation Leclerc

Elsewhere in the park’s 17 acres, you’ll find a former luxury hotel called Habitation Leclerc. In the sixties and seventies, the villas with private pools of Habitation Leclerc was a point of reference for the jet-setting elite of the world.

artwork sculpture haning from tree with pink flowers
Art installation by Pascale Monnin at Parc de Martissant
Photo: Valérie Baeriswyl

The earthquake memorial

The third major installation of Parc de Martissant is the January 12 2010 Memorial. It was built on the former residence of Haitian architect Albert Mangonès – the sculptor behind the Marron inconnu or Nèg mawon statue at Champ-de-Mars.

Erected in 2012, the memorial is a symbolic resting place for the souls of those who passed away during the 2010 earthquake. Residents of Martissant planted ylang ylang trees on the perimeter of the memorial and every afternoon the trees’ scent is released throughout the area at a similar time to that of the deadly earthquake in 2010.

The memorial also features a permanent art installation by Haitian artist Pascale Monnin. Skulls made from iron and cement covered in mirror shards hang from a giant tree, twisting and swinging in the wind. Monnin shaped and crafted these skulls based on the faces of residents of Martissant. From the early hours of morning into the late afternoon, they catch and reflect the Caribbean sunlight.

How to visit

The best time to visit the park is in the morning. The ravaging heat of Martissant will not yet be in full effect, and the park is still waking up.

The park is designed with an organic flow in mind – while there isn’t always designated seating, there are low walls or stairs where visitors often sit and hang out.

Guided tours at Parc de Martissant are paid. Children under 6 years of age enter free of change; those between 7 and 18 years old pay 25 gourdes, and people over 18 years of age pay 50 gourdes. The spaces that are currently open for touring are the January 12 2010 Memorial, the Katherine Dunham Cultural Center, and the medicinal plant garden.

If you are planning to visit the center, it is worth noting that the guided tours are in Haitian Creole – therefore, having a bilingual friend or guide to tag along is a good idea! If you visit during the summer, you will greatly benefit from making a reservation in advance, as the tour guides tend to be quite busy during that time of the year with group excursions.


Written by Kelly Paulemon.

Published December 2020


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Gingerbread Houses

old colonial houses in coastal city
The Boucard House in Jacmel
Photo: Anton Lau

Gingerbread Houses

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Gingerbread Houses are ornate turn-of-the-century buildings unique to Haiti. Like their edible namesake, Gingerbread Houses are famous for steep roofs and ornate details highlighted in vibrant, contrasting colours. They are architecturally fascinating for a number of reasons – not least because they’ve proven to be surprisingly resistant to earthquakes.

An iconic feature of urban communities around Haiti, these ageing architectural masterpieces have survived a century of turmoil and natural disaster, and are a compelling conservation opportunity. And they’ve just been formally recognised as one of the most important at-risk heritage sites in the world.

old colonial haitian house in tropical garden
Old gingerbread house on Rue 16 F, Cap-Haïtien
Photo: Mozart Louis

Where can you see Gingerbread Houses?

These stately relics are scattered throughout Port-au-Prince, but are concentrated in the neighborhoods of Pacot, Turgeau, Bois Verna, and Bas Peu de Choses. You’ll also find Gingerbread Houses in other cities around Haiti, including JérémieJacmel, and Cap-Haïtien.

Who were they built for? What are they used for now?

Originally, Gingerbread Houses were built as the residences of powerful Haitian families, and many surviving examples have housed Haitian presidents. During the 1900s, some of these Gingerbread residences were acquired or built by Catholic institutions, which is why many of the Catholic schools and buildings you can see today are examples of the Gingerbread style.

During Haiti’s boom time as a fashionable travel destination in the 1950s and 60s (when the moniker “Gingerbread” was first introduced by American tourists), Gingerbread Houses were symbols of prestige, used as the seasonal residences of stars like Truman Capote, Noël Coward, Graham Greene and Katherine Dunham, who stayed at the Hotel Oloffson or bought Gingerbread Houses of their own.

Today, most of the investment in Gingerbread Houses comes from the arts. Organizations like Kolektif 509FOKAL, Fondation Viviane Gauthier and Le Centre d’Art are restoring iconic Gingerbread Houses and opening them up to the public as spaces to preserve, practice and promote Haitian art forms.

colonial house decorative fretworkand latticework details
Gingerbread house in Turgeau
Photo: Franck Fontain

Architectural style

In 1895, three young Haitians travelled to Paris to study architecture, and adapted Parisian architecture to the Caribbean climate and living conditions. Together, these young architects refined the architectural style now known as “Gingerbread”, designing civic buildings and residences that combined French-inspired, Victorian Gothic grandeur with flamboyant colors and vivid decorative patterns – including vèvè symbols from Haitian Vodou.

Designed for Haiti’s tropical hot and humid weather, Gingerbread Houses feature tall ceilings, doors and windows as well as wrap-around verandahs, all decorated in a vibrant, distinctive style with elaborate details unique to Haiti. Most Gingerbread Houses were constructed using natural, flexible timber frames that have the innate ability to weather some of the Caribbean’s toughest storms (and as it turns out, even earthquakes).

Inside, they’re a mastery of climate-control, with high ceilings and tall turret roofs designed to draw hot air upwards and out of living rooms. Louvred shutter windows allow cool breezes in and keep moisture out. In the leafy suburbs of Pacot, Pétion-Ville and Turgeau, these majestic windows open out onto picturesque views of the city. Luxurious, extended front porches plunge onto stately grounds with manicured tropical gardens.

old colonial houses on city street in jacmel
Gingerbread houses on Rue Du Commerce, Jacmel
Photo: Anton Lau

Conservation

By the 21st century, many of these once-elegant, century-old structures had fallen into disrepair. Although the communities of people living in and caring for Gingerbread Houses had made substantive efforts to preserve them, political and economic conditions meant that only some of these iconic buildings could be adequately preserved.

As a whole, the historic Gingerbread House district of Port-au-Prince wasn’t getting the support it needed as an at-risk cultural heritage site. In 2009, the Haitian Leadership and Education Program (HELP) successfully brought Gingerbread Houses to the attention of the World Monuments Fund (WMF), in the hopes of generating support for the restoration of these irreplaceable treasures. In late 2009, Haiti’s Gingerbread Houses were chosen as one of  the WMF’s 2010 World Monuments Watch list.

2010 earthquake

Less than three months later, the devastating earthquake of January 12, 2010 struck. The Haitian government made Gingerbread Houses a conservation priority. Now internationally recognised for their architectural and social significance, local and global cultural heritage organizations mobilized quickly to assess the damage. By early February, teams were touring Gingerbread House sites to inspect and evaluate. Though many suffered serious damage, their traditional construction proved surprisingly earthquake-resistant, and very few of them collapsed.

In fact, less than five percent of Gingerbread Houses collapsed completely, compared with forty percent of modern, conventionally-constructed buildings. Architects are now trying to analyse what makes the fragile-looking, intricate Gingerbread Houses so seismically resistant, in the hopes of designing future homes in Haiti to be more resilient.

2020 World Monuments Watch

In November 2019, the Gingerbread district of Port-au-Prince was chosen as one of 25 globally-important sites on the WMF 2020 World Monuments Watch, a list of exceptional sites that “marry great historical significance with contemporary social impact.”

The Gingerbread district was selected from more than 250 applications, after a series of in-depth reviews by an independent panel of international experts in heritage preservation.

“The chosen locations are determined not only by their architectural value, but also by their impact on communities around the world,” said Bénédicte de Montlaur, CEO of WMF. “These remarkable sites demand sustainable, community-driven solutions that bring people together and combine conservation and social change”

Being on the 2020 Watch list means that local stakeholders working to preserve Port-au-Prince’s Gingerbread district will now receive crucial funding from the WMF and its international financial partners. Hopefully, the hard work of local conservation teams will now have an even bigger impact.

A compelling conservation opportunity

Port-au-Prince’s historic Gingerbread Houses embody Haiti’s cultural heritage in a nutshell: rich and incredibly valuable as a cultural and economic resource for contemporary Haitians and future generations to thrive – but also endangered, under-documented and underfunded.

Make a difference by visiting Port-au-Prince’s Historic District today. If you’re lucky, you might get to meet the communities of artists and conservationists working to revitalize these extraordinary treasures.

old colonial houses lined on street with ocean in background
Old gingerbread houses on Rue Stenio Vincent in Jérémie
Photo: Anton Lau

Go on a self-guided tour of Gingerbread houses


Open to the public in Port-au-Prince

Villa Kalewès – 99 Rue Gregoire, Petion-Ville. Easily recognizable by the rich gingerbread color of its fairy-tale wooden walls and icing-like white lace edging. One of the most important Gingerbread structures in Petionville, Villa Kalewès remains both in-use and, lucky for us, open to the public. Villa Kalewès isn’t open every day, so make sure to visit during an advertised event or call head to check.

Maison Dufort – 9 2eme Rue du Travail, Turgeau, Port-au-Prince. Open to the public 9am – 4pm. Maison Dufort was extensively restored by nonprofit FOKAL (Foundation Connaissance et Liberté) between 2012 and 2018. To find out more, ring 2813-1694 or email studiofokal@fokal.org. Voyages Lumière run guided tours in French and English.

Gingerbread restaurant – 22 Rue 3, Port-au-Prince. Open 11am to 10pm Monday thru Saturday. Closed Sundays.

Hotel Oloffson – Ave Christophe, 60, Port-au-Prince. A working hotel, Hotel Oloffson also has a restaurant where non-guests are welcome for lunch (US $12-15) and dinner (US $15-25), as well as a famously good live Vodou rock show every Thursday night. Originally built as the residence of an influence family, Hotel Oloffson has been a presidential residence, a US military hospital (during the 20-year US occupation of Haiti from 1915 to 1935) and a hotel since 1936. Glorified in Graham Greene’s 1966 novel The Comedians.

Le Centre d’Art / Larsen Family House – 22 rue Casseus, Pacot, Port-au-Prince. In late 2019, this house was purchased from the Larsen family and will become the new home of Le Centre d’Art. The old premises of Le Centre d’Art, at 58 rue Roy, were damaged beyond repair during the 2010 earthquake.

Maison Gauthier – In the heart of the historic Gingerbread district, Maison Gauthier “represents both the life of the celebrated doyenne of Haitian folkloric dance, Viviane Gauthier, and one of the finest examples of gingerbread architecture in Haiti.” In 2015 the Fondation Viviane Gauthier was established to restore the villa and maintain it as a place to teach and promote Haitian folkloric dance.

Open to the public outside Port-au-Prince

In Jacmel it’s possible to see inside a Gingerbread House at Hotel FloritaHotel Manoir Adriana, Sant d’A Jakmel and Alliance Francaise.

In Cap-Haitien it’s possible to go inside Hotel Roi Christophe and Alliance Francaise.

Not open to the public

The Peabody House – hidden from view by dense tropical gardens, the Peabody House is near the corner of Rue Pacot and Rue Malval in Pacot, Port-au-Prince.

The Cordasco House (also known as Villa Marimar / Le Petit Trianon) – a 19th century gothic Gingerbread mansion in Pacot, Port-au-Prince.

Villa Castel Fleuri – Avenue H. Christophe, Port-au-Prince. Briefly home to the President of Haiti, Villa Castel Fleuri suffered extensive damage during the 2010 earthquake.

Le Manoir – Avenue John Brown, Port-au-Prince. Has remarkable roofs and turrets constructed with decorative pressed metal roof shingles.

The Patrice Pamphile House – 4 Rue Casseus, Turgeau, Port-au-Prince. Extensively damaged by the 2010 earthquake.

Maison Chenet, also restored by nonprofit FOKAL between 2012 and 2018.

The Bazin House on Rue du Travail Deuxième, Port-au-Prince.

The house of Jean-Richard Montas – 79 Avenue H. Christophe, Port-au-Prince.

Gingerbread House built by Tancrede Auguste – 32 Lamartiniere, Port-au-Prince.

Wood-frame house – 24 Avenue Lamartiniere, Port-au-Prince.

A charming example of a smaller and simpler Gingerbread House – 26 Rue 7

A large and elaborate Gingerbread House, still surrounded by its original
spacious property, at 9 Rue Bellvue, Port-au-Prince.

Gingerbread House – 51 Avenue Christophe, Port-au-Prince.

Gingerbread House at 59 Lavaud 3, Port-au-Prince.

Gingerbread House at 14 Rue Marcelin, Port-au-Prince.

Gingerbread House at 32 Lamartiniere, Port-au-Prince.

Gingerbread House at the Episcopal University, 14 Rue Légitime, Port-au-Prince.

Gingerbread House at 22 Rue Pacot, Port-au-Prince.

College de Jeunes Filles, at 10 Lavaud, Port-au-Prince.

old colonial house on city street with traffic
Gingerbread house in Jacmel
Photo: Anton Lau

Written by Kira Paulemon.

Published May 2020


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Vodou Pilgrimage to Saut d’Eau

crowd of haitians standing under a huge waterfall
Pilgrims gathering beneath the Saut d’Eau waterfalls
Photo: Franck Fontain

On the trail of the Vodou pilgrimage to Saut d’Eau

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Haitian culture – we mention it a lot here at Visit Haiti, but what is it, exactly?

Haitian culture is a cluster of concepts, practices and identities, including the Kreyol (Haitian Creole) language, a set of morals, everyday customs, the history of the modern nation of Haiti (as well as the interrelated history of the Dominican Republic and the island of Hispaniola as a whole), and the Haitian religion – Vodou.

Spelled Vodou to distinguish it from the voodoo traditions of Louisiana and elsewhere in the African diaspora, Haitian Vodou is born out of the unique mix of many African religious practices with christianity, all of which were transported here to Haiti during the colonial period.

According to sales archives preserved from the colonial era (and still accessible in private collections or at the National Library of France), we learn that plantations often held slaves of up to ten different ethnicities. This included members of the island’s indigenous Taíno people, few of whom had survived the brutal regime of colonisation and enslavement up to that point. Colonial plantation owners were recommended to hold slaves from different ethnicities together on the same plantation, so that they’d have nothing in common but the color of their skin. People thrown together on Haitian plantations included Fon (Dahomey) people from Benin, Congo and elsewhere. In The Mysteries of VodouLaennec Hurbon explains that the word Vodou comes from the language spoken in Benin and means “invisible and formidable power”.

This multiculturalism allowed Haitian Vodou to acquire over the course of the years characteristics that are its own, and awards it all the richness it has today. One of the roots of this richness is the religious syncretism that allowed African practices to graft themselves to Christianity as well as to the indigenous practices that already existed on the island. From there, the Christian saints became vodou lwas and Christian celebrations transformed into Vodou ceremonies and celebrations.

One of these celebrations is the annual pilgrimage to honor the Miraculous Virgin of Saut d’Eau at the magical Saut d’Eau waterfall (spelled Sodo in Kreyol).

haitian girl sitting behind table with merchandise for sale
Vendor selling offer gifts at Saut d’Eau
Photo: Franck Fontain

The Miraculous Virgin of Saut d’Eau

Popular in Vodou spaces around Haiti, the Miraculous Virgin of Saut d’Eau is renowned for bringing luck in love and in economic transactions. You’ll also find her venerated under the names Saint Anne (Mother of the Virgin Mary in the Christian tradition) or Little Saint Anne (Kreyol: Ti Sent Án) or Miraculous Virgin.

Every year from July 14 to 16, devotees from across Haiti make a pilgrimage to the Saut d’Eau waterfall, located 60 miles north of Port-au-Prince. The event also attracts curious travellers from around the world, who want to witness this one-of-a-kind Vodou pilgrimage.

haitian pilgrims during a spiritual ritual by waterfall
Pilgrims bathing at Saut d’Eau
Photo: Franck Fontain

How to invoke the favor of the Miraculous Virgin

To obtain the Miraculous Virgin’s favor, Vodou practitioners travel to the sacred Saut d’Eau waterfall to conduct a purification ritual. Most practitioners make the pilgrimage in summer, but the ritual is possible at any time of the year.

The ritual is called a “luck bath”. The devotee journeys to the cult site with a calabash (a water flask made from a gourd) as well as gifts to offer to the goddess, before disrobing and diving under the magnificent Saut d’Eau waterfall. Devotees carry a small collection of leaves, plants, and herbs linked to the goddess and believed to have therapeutic virtues. If they want to, the supplicants can also bring orgeat syrup, perfume or flowers, or prepare a meal to offer as a pledge of their good faith and their loyalty to the lwa.

Once the preparations are complete, the supplicant bathes under the waterfall (either alone or with the help of an ougan (Vodou priest)), washing while invoking the protection and virtues of the goddess. It is critical, at the end of this ceremony, to break the calabash that served to carry water from the waterfall to wash oneself and to leave in the water the clothes which the supplicant had worn to the site – these represent their past bad luck. Instead, devotees leave dressed in new clothes, and hopefully imbued with the goddess’ protection and luck for the future.

crowd of haitians preparing for a spiritual bath by waterfall
Saut d’Eau
Photo: Franck Fontain

Make a pilgrimage of your own

Intrigued? Although it’s one of the most sacred sites in Haiti, Saut d’Eau is not cut off from the curious. Travellers are welcome to visit the waterfall any time of year. Whether you want to try your luck at invoking the lwa‘s favor, or just enjoy the experience of bathing under an incredible freshwater waterfall, framed by gorgeous forest filled with birdsong, you’re welcome to make a pilgrimage of your own to this very special place.

Saut d’Eau waterfall (spelled Sodo in Kreyol) is located 60 miles north of Port-au-Prince, near Mirebalais. The pilgrimage happens from July 14 to 16, but the site is open to visitors year-round (road conditions allowing).

The magnificent Saut d’Eau waterfall is just one of many mystical sites used for the Vodou luck bath ritual, including Bassin Saint Jacques and the gorgeous Bassin Bleu.

haitian woman in blue dress with small child in straw hat
Saut d’Eau
Photo: Franck Fontain

Written by Melissa Beralus and translated by Kelly Paulemon.

Published February 2020


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