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Visit the Oloffson Hotel

facade of gothic style gingerbread hotel with palm trees
Hotel Oloffson, Port-au-Prince
Photo: Jean Oscar Augustin

Visit the Oloffson Hotel

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The iconic Hotel Oloffson, a gothic “Gingerbread” mansion surrounded by a lush tropical garden, has been described as the most iconic hotel of not just Haiti but the whole Caribbean. The rickety 19th-century mansion is amazingly intact given its location in the centre of a city that has seen so much destruction.

While I wait for the black iron gates to open, passersby weave around my car. I honk again, and the gates creak open just enough to let me through. A doorman in a black cap and a faded T-shirt nods at me, then promptly creaks the gate shut again.

A winding cobblestone path flanked by green foliage disappears into deep gardens. There’s no hotel in sight. Instead, wrought iron sculptures with diabolic faces peer out from between the leaves. More and more strange sculptures appear, some created from car parts in a style I recognize as belonging to the Atis Resistance movement.

As the driveway winds further uphill, the white lattice of the mansion roof appears over the palm trees and mango leaves. On the left side of the driveway, a glittering white-and-mirror mosaic wall emerges into view. In the center, the mural shows a red and blue boat. Trained eyes know that more than a simple sailboat, this is actually a dedication to the vodou spirit of the sea, Agwe. Near the anchor that dips into the white waves, sacred inscriptions hint at the magic and folklore that infuses Hotel Oloffson.

Baron Samedi sculpture, Hotel Oloffson
Photo: Jean Oscar Augustin

Parking on a cobblestone flatway, I turn off the motor, and approach the famous front entrance of the Hotel Oloffson. Craning to look up, I marvel at the nest-like widow’s peak and the many turreted balconies on the upper floors. This particular example of gingerbread architecture was described as “an illustration from a book of fairy tales” by American author Graham Greene who once lived and wrote here. A fan of Wes Anderson Movies, I imagine the Hotel Oloffson as a Caribbean cousin to The Grand Budapest Hotel.

An air of sleepiness and reverie envelops the front steps which veer off to the left and right. Everything is painted white – the bricks, the timber upper stories, the intricately carved wood panels that section off the balconies. In an alcove set into the white stone base of a staircase, several sculptures stand watch, including a three-foot-high man who represents the Gede family of vodou lwa. The Gede are the gods of the crossroads between life and death celebrated annually during the Haitian Day of the Dead.

hotel restauarant veranda with tile floor green doors
Restaurant veranda at Hotel Oloffson
Photo: Jean Oscar Augustin

The Hotel Oloffson Restaurant

At the top of the stairs, an ancient-looking butler stands sentinel at the restaurant entrance. Behind him, an expansive verandah leads through a sequence of lobby rooms to a concert stage. I nod to the butler and choose a table in the far corner, overlooking the city of Port-au-Prince and the strip of azure sea beyond. A century of politicians, musicians, local artists and vodou priests have sat in this same chair.

The butler takes my order – the Oloffson’s famous rum punch cocktail and a side of accra – and shuffles over nineteenth-century mosaic tiles to disappear behind saloon doors painted with a vivid Haitian countryside scene. Haitian art is smattered across the grounds. The corner table of the Oloffson verandah is an excellent vantage point to take in the art collection that begins in the sculpture garden below and creeps up to the mansion, covering nearly every wall of the hotel lobby, restaurant, and its myriad guest rooms.

Above the table, a pearly pink-and-white sequined flag catches my eye. It carries one of the lwa cosmograms- sacred designs that act like a beacon, calling down the corresponding spirit. The curving heart shape indicates this is a flag created for Erzulie Freda – spirit of love and protector of children.

hotel bar interior with liquor bottles and old framed mirror
Bar at Hotel Oloffson
Photo: Jean Oscar Augustin

What to order

For starters, try the Oloffson’s famous rum punch cocktail, or a rum sour if you’re after something simpler. The best accompaniment is accra: the deep-fried, very spicy batter made from malanga root is prepared with special care in the hotel kitchen below, and arrives with a heaping pile of spiced pikliz – best eaten with your fingers.

old gothic style gingerbread hotel with lush green trees
Hotel Oloffson, Port-au-Prince
Photo: Jean Oscar Augustin

History

The mansion was built as the primary residence for the Sam family, an influential clan that boasts two former presidents of Haiti among its ranks. In 1915, following the infamous death of its owner at the hands of political protestors, the Sam mansion was seized by US military forces. The mansion served as a US military hospital until the US occupation ended in 1934.

Few visitors to Haiti know how the famed Hotel Oloffson got its current name, but I’ll let you in on the secret. In 1935, when the US occupation ended, the mansion was leased to a Swedish sea captain named Werner Gustav Oloffson, who wanted to retire from life on the open water in Haiti’s summery climate. Along with his wife Margot and two children, Captain Oloffson set about converting the lush expansive gardens, gingerbread mansion and hospital wing into Haiti’s finest hotel.

In the 1950s, 60s and 70s, the hotel went Hollywood. An outpost for the rich and fabulous, the Oloffson hosted the American political and cultural elite – Jackie Onassis Kennedy would often be found fanning herself on the nest-like balcony of the grand honeymoon suite. The emerald-green swimming pool in the garden hosted an endless stream of parties for musicians, models and writers, as one expat owner after the other took their turn at the helm.

Many of the rooms now boast hand-painted placards with the name of a famous past guest. Visitors can sleep in the Mick Jagger room, Jackie O room, Graham Greene room and more. Like their erstwhile guests, the hotel corridors are anything but straight and narrow: some suites are situated above the swimming pool, connected by hidden corridors. Others you reach by a winding narrow staircase off the main lobby. The staircase to the second floor is an ancient wooden construction that sinks underfoot in places, and leads further up into lofty galleries, then through a wooden passageway. Still more wooden passages take visitors into the wing that once held the American military hospital. The most sought-after rooms are in the main mansion, just above the lobby.

"Sunsan Sarandon" handpainted placard with flowers
Susan Sarandon placard, Hotel Oloffson
Photo: Jean Oscar Augustin

Live Music

Every Saturday night at the Oloffson, the band RAM – an absolute national treasure – delivers an unforgettable performance of vodou-infused rock. If you’re not a guest at the hotel or paying for a sit-down dinner, you’ll need to pay an entry fee of 500 HTG (about 5 U.S. dollars). The show starts around 10:30. Expect sing-a-longs with an enthusiastic crowd and dancing all night long. (Note that until recently, RAM played every Thursday, but changed to Saturdays in 2020.)

Weekly performances by RAM have become a ceremonial-grade ritual loved by all levels of society. Remarkably, in a country where consistency is hard to find, the band has consistently gigged at the Oloffson since 1990, when the band’s frontman took over running the hotel.

A “vodou rock and roots” band, RAM incorporates traditional vodou lyrics and instruments, such as rara horns and Petwo drums, into rock, and their lyrics are sung in a macaronic medley of Haitian creole, French and English.

Read more about RAM concerts at Hotel Oloffson here.

handpainted toy bus with Hotel Oloffson logo
Hotel Oloffson, Port-au-Prince
Photo: Jean Oscar Augustin

The 2010 earthquake

After the 2010 earthquake, the Oloffson was one of the few hotels left standing in Port-au-Prince. Some joked that the ancient structure was held together by termites in the wood and magic in the rafters, but research has since shown that Haiti’s traditional gingerbread houses are surprisingly earthquake resistant.

The Oloffson became a major hub for the influx of humanitarian workers and global media outlets that descended on the capital. The expansive porches and grounds were an informal HQ for foreigners and emissaries of the estimated hundred thousand charities who became active in the “NGO Republic” of Port-au-Prince. Anyone seeking a meeting or rendezvous point defaulted to the Oloffson.

Era after era, the space has served its guests loyally. The Oloffson has been a family home, hotel, hospital, jam-hall, meeting place, humanitarian headquarters, art gallery, and celebrity escape.

The Hotel Oloffson stands guard over downtown Port-au-Prince, undeterred by rebellion, earthquake, or the famous faces that wander its corridors. The beauty of the fairytale is still unraveling, and seated comfortably in my chair with this view, I feel grateful for yet another chance to weave my own story into the stories of those who have come before. Sipping my rum punch, I wonder what will become of this space in another fifty years. Who will drive up the garden passage, and what incarnation of the Oloffson will they find?

interior of hotel guest room with wodden desk and sunlight
Balcony room at Hotel Oloffson
Photo: Jean Oscar Augustin

Stay at the Oloffson

Almost a century after Captain Oloffson took over the sprawling gingerbread mansion, the Oloffson is still running as a boutique hotel.

Guests can stay in one of 22 rooms, dine at the in-house restaurant and lounge at the outdoor pool. All suites include a free continental breakfast, free WiFi, and free parking. One of the Oloffson’s attractions is its seclusion, and to save you having to travel into the city for essentials, there’s even a convenience store on site.

RAM plays on Saturday nights. The show is free for hotel guests and dinner customers.

The Oloffson is hidden from view on 60 Ave Christophe, Port-au-Prince, in the neighbourhood of Saint Gérard, just near trendy Pacot.

Within a short walk you’ll find the Museum of Haitian ArtChamps de Mars Square and the National Pantheon Museum. Haiti’s main airport is a 10 minute drive away.

Book your stay now!

facade of gothic style gingerbread hotel with palm trees and dog
Hotel Oloffson, Port-au-Prince
Photo: Jean Oscar Augustin

Written by Emily Bauman.

Published October 2020.


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How to Attend a Vodou Ceremony in Haiti

group of people standing around a candle and cosmogram drawn on floor
A Vodou ceremony
Photo: Pierre Michel Jean

How to Attend a Vodou Ceremony in Haiti

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There’s no doubt that Vodou is a powerful spiritual tradition. The world’s first free black republic was formed, at least in part, thanks to the uniting spirit of Vodou. Vodou was the common thread that united leaders in the Haitian revolution, despite their lack of a common language, tribal bonds or country of origin. In the space of just a few years, in a seemingly miraculous feat against the odds, an army of slaves threw off their chains, overthrew the French colonial government, beat Napolean’s navy, abolished slavery, and formed modern Haiti.

Today, perhaps not despite but because of these powerful roots, Vodou may just be the most maligned, feared and misunderstood spiritual tradition in the western world. It’s time to set the records straight. Perhaps the best way to help celebrate the freedom fighters and dispel the myths is to attend a Vodou ceremony in Haiti and see for yourself.

Here’s how.

drummer with open shirt and sweaty chest
A drummer at a Vodou ceremony
Photo: Franck Fontain

Find out about a Vodou dans

Sacred Vodou gatherings can be called by many names, most often a ceremony, ritual or dance. In Haitian Kreyòl, Vodou practitioners often refer to the event as a dance (dans). The terms dance and ceremony will be used interchangeably for the purposes of this guide.

Find out ahead of time who and what the dance will be for

It may be helpful to ask who the dance will be for and what purpose, if any, is intended. For example, is there a specific lwa (spirit) being evoked? If the ceremony takes place in early November, it will likely be held in honor of the Gede lwa and Day of the Dead. Remember that Petwo deities are the fiery, offense-oriented counterpart of the gentler, protective Rada deities. This can help anticipate the tone of the ritual.

If this is your first time attending a Vodou ceremony, it is recommended to attend a Rada dance, not least because you’re less likely to see animal sacrifice. For example, you could attend a springtime dance held to usher in a season of abundant harvest, good luck and good health. You may wish to begin with a Rada dance for Erzulie Freda, the goddess of love and sensuality, or La Sirène, the mermaid goddess of good luck, fertility and material abundance.

The rites, devotions and overall style of ceremony will vary greatly depending on which part of Haiti you are attending the dance in. For example, Papa Legba and the twin spirits known as Marassa are all recognized through particular rites with certain rituals, dances, drum rhythms, offerings, prayers and cosmograms drawn on the ground. But the specific interpretations of a Legba or Marassa dance in Cap-Haïtien will vary from one held in Jacmel. This is true for all rites and rituals across the different Vodou temples in Haiti.

Learn more about the different Vodou Gods & Goddesses here!

older haitian woman in a red dress with blue sequins
A woman at a Vodou Ceremony
Photo: Pierre Michel Jean

Expect to be there a while

A Vodou dance can last a long time. In Jacmel for example, the rum-fuelled drummers that launch a ceremony at dusk can be found still drumming at dawn – albeit with swollen and bruised hands. So like any dance you attend in a foreign city, bring plenty of water and relax expectations of a set time for when it will end. If you want an exit strategy mid-dance, go with someone who you trust will be flexible to go when you are ready, pay your respects to the host who invited you if possible, and you can simply leave when you’re ready.

exterior of vodou temple with handpainted wall depicting spirits
Vodou peristyle in Artibonite
Photo: Emily Bauman / Amanacer

What a vodou temple looks like

Vodou dances take place at a peristil: a temple, usually round, always with a pole in the center called the central pole (poto mitan) representing the navel of the universe. Many Vodou temples in Haiti are indoor-outdoor, while others are fully enclosed or completely open to the sky. Some sacred rituals take place at waterfalls like Sodo or near a sacred mapou tree, but for the purposes of this guide, we will assume you will attend a ceremony at a peristil.

At the center of the ceremonial space, you’ll see an altar. Bottles represent gifts and offerings. Machetes are symbols of honor and respect to entities in the spirit world.

Check your cultural baggage at the door

On the altar, you may also see skulls and other human remains. While the western world associates bones with death, necromancy and spooky halloween kitsch, it is important to know that skulls hold nearly the opposite significance in Vodou. Try looking at the skull and seeing the comforting presence of an ancestor, or the balance between life and death.

While western cultures tend to avoid death and displace it from the family home, keeping the dead close is a crucial part of cultures from Romania to Indonesia to Haiti. In Vodou, death is not to be hidden from daily life, but embraced in ceremonies as a way to more fully appreciate and celebrate life.

Ancestors and dead family members may be called on to join the dance. Those who have passed away come among the community once more to offer advice, and take part in the rituals. Rather than framing this as a haunting, think of it as a glorious family reunion.

When attending a Vodou ceremony it is a good idea to approach the experience with a blank slate, and a relaxed, open mind, ready to learn. Check your cultural baggage at the door and enjoy the ride of a totally new experience!

a group of vodou practitioners dressed in white
Dancing at a Vodou ceremony
Photo: Franck Fontain

Wear something nice, but not white!

What you wear matters! Business casual attire is appropriate. Avoid loud T-shirts or anything ratty or worn outMen can dress in jeans and a short sleeve button-up shirt, and women jeans and a blouse. Aim for fancy but respectful clothing, and no lavish jewelry. Rural dances will generally be more casual.

Color is a key consideration. The purity of white is highly significant at the dance and is reserved for Vodou practitioners, so it’s best not to wear white to any Vodou ritual. Patterns and colors are acceptable – but be careful with colorful head scarves! Keep reading to find out why.

It’s helpful to remember that Haiti can be remarkably hot at nearly any time of year and even sometimes at night. Linen and cotton are your best friend, regardless of whether you plan to attend a ceremony in a city or rural environment.

Bring an offering

While a Vodou dance is no dinner party, it is appropriate to bring an offering of alcohol. Wine is not the hostess’ beverage of choice in this case. Ask if you can offer a liter or half gallon of unrefined rum, called kleren. You can buy it locally and inexpensively almost everywhere in Haiti, but the gesture is important and will be valued, particularly in rural settings. Kleren is the fuel of many Vodou dances, offered to the spirits and the sèvitè (servants of the spirits) alike. The drummers – who often play all night and into the dawn – will be especially appreciative.

a vodou priest and practitioner performing a dance
A ougan at a Vodou ceremony
Photo: Pierre Michel Jean

Beginning the dance

A series of prayers, sometimes Roman Catholic in origin, begin the ceremony. Vodou spirits who serve as gatekeepers are saluted with appropriate honors, offerings, and invocations. If invoking the fiery Petwo lwa, voudiwizans might use whip-cracks, whistles, gasoline and even lit gunpowder to get their attention.

Who leads the dance?

You will be able to identify the Vodou initiates (the men and women who will orchestrate the ceremony) by their all-white ceremonial garb. Most initiates wear traditional Haitian skirts in white, starched white blouses and a white handkerchief on the head. Some may wear colorful satin headwraps. The color of the headwrap is associated with the lwa being served that day, but it also indicates rank in the temple hierarchy.

Mambo or manbo is the name for a female Vodou priestess. Ougan is the name for a male Vodou priest. Mambo and ougan are figures of great authority and respect in the community, responsible for intervening in a wide range of societal hardships, from illness to family conflict, financial trouble or even just a string of bad luck. As intermediaries between the lwa and humans, they act as servants who restore health, harmony and balance.

Drumming is believed to create a passageway to the spirit world. It’s a rhythmic invitation to the lwa to attend the dance being held in his or her honor. Much like a radio station, when the drummers tune into the specific FM frequency of the lwa, it begins to broadcast on that channel. Each lwa has their own drum rhythm and associated dances, and there can be variations between traditions, as well – a Dahomey-descended drum rhythm is different from a Congo-descended drum rhythm. Initiates can spend lifetimes perfecting their repertoire.

cosmogram being traces on floor with hand holding a candle
A vèvè being drawn on the floor of a hounfour
Photo: Pierre Michel Jean

Vèvè cosmograms

Towards the beginning of the dance, initiated Vodou practitioners will trace a vèvè cosmogram on the floor with white powder. This takes immense skill, precision and training. These symmetrical vèvè are ancient and unique to each lwa.

Once it is traced in perfect symmetry on the floor of the temple, an essential element is in place permitting the lwa to descend. Like the unique drum rhythms, the unique cosmograms are call signs, drawing down a particular lwa. As well as the precisely-drawn vèvè on the ground, a sequined flag depicting the cosmogram is hung in a place of honor for all to see.

Learn more about the intricate art of Vodou symbols with our visual guide to the vèvè of Haitian Vodou.

Possession Trances

If the dance is a success, expect to see a possession trance. In creole the person possessed is known as the chwal (horse) that will be “ridden” by the lwa. Here’s how to identify a chwal:

You may see people with pupils dilated, people with spasmodic behaviour, seemingly out of control of their bodies doing the impossible like walking over flaming hot coals. There is no need to be alarmed when people give their bodies over to the lwa to be directed in this way. It means the ceremony is a success, and it represents a culmination of complex rites and practices that have survived hundreds of years of repression.

The trance is an opportunity for the spirit to perform healing through the possessed chwal. Blessings may take place, and it’s also a chance for the lwa to rebuke those in the community who need to smarten up and change their ways.

The possession trance may last for just a few minutes or for several hours. The chwal who has given his or her body in service to the lwa will most likely wake up exhausted, not remembering what has transpired.

people dressed in white dancing and drumming during vodou ritual
Drumming and dancing at a Vodou ceremony
Photo: Pierre Michel Jean

If you’re afraid of the devil or possession…

Put aside imagery from horror films like The Exorcist or associations of possession with demons. Instead, remember that people enter the possession trance willingly. No matter what happens, remember that Vodou is practiced to restore order, balance, health, and harmony in the lives of its followers.

Many non-practitioners both in Haiti and abroad have been taught to associate Haitian Vodou with evil, demonic possession and even satanism. This is rather silly and slanderous, as there is not even a satan figure in the Vodou pantheon of spirits who could be worshiped.

Vodou practitioners believe in a supreme god named Bondye or Gran Met who is all-powerful yet remains aloof. There is no devil counterpart to Bondye, and like the concept of “source” or “godhead”, he is not directly involved in human affairs. The multitude of lwa – spirits of the ancestors – serve as intermediaries, much more comparable to the saints of the Catholic church than demons.

Still afraid you might get spontaneously possessed? Read our article Haitian Vodou Revealed to learn why this won’t happen.

Animal sacrifice

To ask for good luck, the servants of the spirits may make a blood sacrifice. Animals like roosters, chickens, doves, pigs, and goats may be slaughtered during the ceremony. The offering can be more or less bloody depending on whether it is for a fiery Petwo bosu (bull) spirit offering compared to, say, a ceremony held in honor of the gentle rada Marassa twins.

For western travelers who have grown up aware of PETA campaigns and animal rights activism work, it may be difficult to fathom 5,000 year-old ancient rituals being practiced largely unchanged today. If you are concerned about your reaction to this ancient practice, ask for details in advance so you can decide whether or not to attend.

older haitian women dressed in pink with chair on head
Women at a Vodou ceremony
Photo: Pierre Michel Jean

Do your homework

Haiti’s National Museum in Port-au-Prince is a great place to see some of the oldest, most historic Vodou drums – some date back to the 1500’s! The Musée du Panthéon National Haïtien (MUPANAH) is located on the Champs de Mars Boulevard and features a collection showcasing the heroes of the independence revolution, and the tools they used to found modern Haitian culture.

Just around the corner from the National Museum is the Bureau of Ethnology, a museum dedicated entirely to Haitian Vodou! If possible, do visit at least one of these museums prior to your Vodou ceremony experience.

LGBTQ+ and Safe Spaces

Cross-dressing, trans identies, and all gender expressions are welcome in Vodou communities. Same-sex relationiships and behaviour are often accepted without question. No one bats an eye – in this space, at least, these minority identities are respected as servants of the goddess of love, Erzulie. Expect the dance to be a safe space. You may see men in women’s dresses and much stranger things.

haitian vodou practitioners during ceremony
A ‘Chire Aiyzan’ ritual being performed during a Vodou eremony
Photo: Pierre Michel Jean

100% Vodou

The truth is, that even some Haitians who follow the Protestant or Catholic traditions and attend mass on Sundays can be found seeking advice from a mambo or ougan during the week. In fact, a popular bumper sticker in Port-au-Prince reads “Haiti, 80% Protestant 100% Vodouisan.” For outsiders, this widely-accepted practice can be hard to understand. Yet when a family member falls ill or life situations get dire, this faith-flexibility is common. It’s part of the complex syncretism of Haitian culture, where things are multi-layered and far richer in meaning than they often seem on the surface. Some people might go so far as to argue that you cannot truly understand Haitian culture until you have taken part in a Vodou ceremony.

At the end of the day, no matter your race, religion, sexual orientation or country of origin, you will be accepted with grace and warmth at a Vodou ceremony. Everyone is respected and the protection, good luck, and wishes for good health are extended to all who attend.

What do you say? Maybe it’s time to dance…


Written by Emily Bauman.

Published January 2021.


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Parc de Martissant

lush green garden area with path
Parc de Martissant
Photo: FOKAL

Parc de Martissant

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Created in 2007 by joining together four huge estates, the Parc de Martissant provides public oasis where people can relax, share skills and culture. Students and tutors from nearby schools are often found wandering in the park, reading or chatting together. The second central aim of the park is to preserve Haiti’s beautiful native flora.

Year round, the garden is bursting with tropical sights and smells: pink and yellow frangipani, hibiscus, red ginger (or ginger lily), spider lily, the exotic ‘lobster-claws’ flower and dozens of others we didn’t know the name of.

Stroll through lush rolling lawns, roped paths, feature trees, flower guilds and wooded groves circumscribed by stone walls, natural amphitheatres and outdoor galleries as well as three separate groups of buildings, most notably the Katherine Dunham Center.

building with futuristic designed roof in public park
Katherine Dunham Cultural Center, Port-au-Prince
Photo: FOKAL

The Katherine Dunham Center

The Center was once the residence of African-American dancer and choreographer Katherine Dunham, the ‘matriarch of black dance.’ In 1935, Dunham obtained travel fellowships to the Caribbean to further her studies on dance and vodun – or vodou – leading her straight to Haiti.

Here, she spent an extensive amount of time researching, learning, and developing her own dance method. After Dunham passed away in 2006, her property was transformed into a cultural center, and now features an iconic library, whose five buildings – built to emulate movements of dance – were designed by Mexican architects Raúl Galvan Yañez and Winifred Jean Galvan. This library is a hive of activity for students and fans with cultural activities, public readings and more each week.

garden area with rosemary and other herbs
The Medicinal Garden, Parc de Martissant
Photo: Ray Ginald / FOKAL

The medicine garden

The Centre is also where you’ll find guides willing to show you around Parc de Martissant’s extensive garden of medicinal plants. The tour is very detailed, and guides are always more than happy to answer questions, but visitors are free to walk around and observe by themselves if they prefer.

Depending on the time of year, some of the plants are blossoming or yielding fruit. The medicinal plant garden sits adjacent to a community produce garden, whose bounty is gathered whenever it is ripe and made available to the local community.

old concrete swimming pool without water in a tropical garden
Habitation Leclerc, Parc de Martissant
Photo: FOKAL

Habitation Leclerc

Elsewhere in the park’s 17 acres, you’ll find a former luxury hotel called Habitation Leclerc. In the sixties and seventies, the villas with private pools of Habitation Leclerc was a point of reference for the jet-setting elite of the world.

artwork sculpture haning from tree with pink flowers
Art installation by Pascale Monnin at Parc de Martissant
Photo: Valérie Baeriswyl

The earthquake memorial

The third major installation of Parc de Martissant is the January 12 2010 Memorial. It was built on the former residence of Haitian architect Albert Mangonès – the sculptor behind the Marron inconnu or Nèg mawon statue at Champ-de-Mars.

Erected in 2012, the memorial is a symbolic resting place for the souls of those who passed away during the 2010 earthquake. Residents of Martissant planted ylang ylang trees on the perimeter of the memorial and every afternoon the trees’ scent is released throughout the area at a similar time to that of the deadly earthquake in 2010.

The memorial also features a permanent art installation by Haitian artist Pascale Monnin. Skulls made from iron and cement covered in mirror shards hang from a giant tree, twisting and swinging in the wind. Monnin shaped and crafted these skulls based on the faces of residents of Martissant. From the early hours of morning into the late afternoon, they catch and reflect the Caribbean sunlight.

How to visit

The best time to visit the park is in the morning. The ravaging heat of Martissant will not yet be in full effect, and the park is still waking up.

The park is designed with an organic flow in mind – while there isn’t always designated seating, there are low walls or stairs where visitors often sit and hang out.

Guided tours at Parc de Martissant are paid. Children under 6 years of age enter free of change; those between 7 and 18 years old pay 25 gourdes, and people over 18 years of age pay 50 gourdes. The spaces that are currently open for touring are the January 12 2010 Memorial, the Katherine Dunham Cultural Center, and the medicinal plant garden.

If you are planning to visit the center, it is worth noting that the guided tours are in Haitian Creole – therefore, having a bilingual friend or guide to tag along is a good idea! If you visit during the summer, you will greatly benefit from making a reservation in advance, as the tour guides tend to be quite busy during that time of the year with group excursions.


Written by Kelly Paulemon.

Published December 2020


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old colonial houses on city street in jacmel

Catch a show with Haitian Vodou rock band RAM

haitian lead singer in band dancing in front of microphone
RAM performing at Hotel Oloffson
Photo: RAM.com

Catch a show with Haitian Vodou rock and roots band RAM

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Every Saturday night at the Hotel Oloffson, the band RAM – a Haitian national treasure – delivers an unforgettable performance of Vodou-infused rock. If you’re not a guest at the hotel or paying for a sit-down dinner, you’ll need to pay an entry fee of 500 HTG (about 5 U.S. dollars). The show starts around 10:30. Expect sing-a-longs with an enthusiastic crowd and dancing all night long.

haitian musicians playing on trumpets
RAM performers with vaksin horns
Photo: RAM.com

On the gothic gingerbread verandah of the Oloffson, you can join a decades-long tradition of watching the sun set over Port-au-Prince with a rum sour or rum punch. On Saturday nights, there’s another ritual going on.

Weekly performances by RAM have become a ceremony loved by all levels of society. Remarkably, in a country where consistency is hard to find, the band has consistently gigged at the Oloffson since 1990, when the band’s frontman took over running the hotel. In fact, the band gets its name from the initials of the Oloffson’s owner, Richard Auguste Morse. Morse’s wife, Lunise, is the lead singer and main dancer.

A “Vodou rock and roots” band, RAM incorporates traditional Vodou lyrics and instruments, such as rara horns and Petwo drums, into modern rock-and-roll grooves. Their lyrics are sung in a macaronic medley of Haitian creole, French and English that islanders and diaspora can appreciate especially. To hear it is to connect with a distinctive sound that could only have been born in Haiti.

haitian band performing in front of crowd
RAM performing at Hotel Oloffson
Photo: RAM.com

RAM live: an unmissable experience

First off, expect to see anyone and everyone here. The shows are and have always been attended not just by often-international hotel guests but a diverse spectrum of the country’s political and ethnic groups and subcultures. Humanitarian workers line the front row next to cross-dressed dancers and Haitian artists from nearby downtown neighborhoods. Corner tables are occupied by foreign ambassadors and visiting celebrities, or Grammy award-winning musicians with a love for Haiti.

The lights are few and far between, and often shine out blue and red. Near the permanent stage erected in the heart of the Oloffson mansion, genuine vodouwizan practitioners can be spotted in the throng of dancers. Some of the people in the crowd have been regulars here for 20 years. One woman in a white traditional frock and elaborate satin turban loves to spray sacred flower-scented florida water on the crowd. Many know the lyrics by heart, no matter what decade the song is from. Several people appear to have entered their own worlds, dancing with unearthly vigour, evoking the scenes of ritual possession one might see at a Vodou ceremony or at the Haitian Day of the Dead.

haitian musicians in red and blue dresses performing
RAM performing
Photo: RAM.com

The early days of RAM

The band started in 1990 when Morse negotiated the lease for the Hotel – then very dilapidated. He created a folklore dance troupe along with his wife and a group of musicians – many from the poorer districts of nearby downtown neighborhoods.

RAM prides itself on having deep roots but always adapting to the times. Many of the lyrics have subtle or not-so-subtle political messages. In the new release “Ayiti Leve”, the lyrics (in Kreyòl) say: “Haiti you sleep too much. It’s time to wash your eyes.” The music video shows the corridors of the Oloffson clouded in darkness. The lead singer’s son, William – also bass guitarist for the band – sits on a traditional high-backed wooden chair in the dark. His mother Lunise walks through the french doors and hands him a candle, illuminating his face and the iconic porch behind him.

The Vodou-inspired drumming is classic RAM but this time the visual is unexpected. “Wake up. See where you are,” the lyrics continue. One by one, Lunise places a candle in each of the band members’ hands. It’s the same shadow play that makes visitors of the Oloffson aware they are wading thickly into something unseen.

Their 2020 Carnival song, “Kongo Lazil O (Kan’w Pran Ou Konnen)” marked RAM’s 28th carnival song release, spanning an era that has seen violent revolts, revolutions, and sometimes unpopular public opinions of RAM’s frontman Morse.

During the years of Haiti’s military regime, one of RAM’s songs, “Fèy” (“Leaf” in english), was censored nationally and eventually banned from radio play by the regime, who correctly perceived it to be a song covertly supporting the exiled President Jean-Bertrand Aristide. In defiance of death threats, the band continued to play weekly concerts at the Oloffson – until Morse only narrowly escaped a kidnapping, almost being carried out by junta authorities from the hotel in the middle of a performance in 1994. In 1998, the band’s lyrics offended the newly-elected mayor of Port-au-Prince, and they survived an assasination attempt on their float during a Carnival performance. While the Thursday night performances have been switched to Saturdays in 2020, RAM continues to use their iconic stage as a launch pad for social commentary. The band is loyal to providing lyrical provocation to Haiti’s political landscape.

How to see the show

RAM plays on Saturday nights at the Hotel Oloffson, 60 Ave Christophe, Port-au-Prince, in the neighbourhood of Saint Gérard, just near trendy Pacot.

The show is free for hotel guests and dinner customers. If you’re not sleeping at the hotel or paying for a sit-down dinner, you’ll need to pay an entry fee of 500 HTG (about 5 U.S. dollars). The show starts around 10:30 and runs until late.


Written by Emily Bauman.

Published November 2020


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cosmogram being traces on floor with hand holding a candle

Visit the Katherine Dunham Cultural Center

building with futuristic designed roof in public park
Katherine Dunham Cultural Center, Port-au-Prince
Photo: FOKAL

Visit the Katherine Dunham Cultural Center

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Located in the crescent coast of the bay of Port-au-Prince, the neighborhood of Martissant was once home to boulevards and villas where Haitian high society lived and thrived. These days, Martissant is high-density and not exactly a tourist destination. But there are a few things in Martissant that are worth the trip, and the Katherine Dunham Cultural Center is one of them.

Nested away in Martissant Park, the Katherine Dunham Cultural Center is a haven of peace, calm and community. It is named after African-American dancer and choreographer Katherine Dunham, who moved to Haiti in the 1930s to learn about the African heritage of Caribbean dance forms. Now known as the ‘matriarch of black dance’, Dunham is credited with bringing African and Caribbean rhythm and technique into the professional dance repertoire.  

Katherine Dunham’s private home and studio

During her stay, Dunham befriended a few Haitian officials, and became an important cultural ambassador for Haiti. In the centre of Martissant, Dunham purchased a leafy seven-acre property, which she used for herself and for her US-based dance company. A hotel was built there, and for a number of years Dunham received and entertained the elite of Haiti and other lucky invitees.

The lavishness inside the walls, and luxury of being able to focus on art, was an extremely sharp contrast to the poverty-afflicted neighborhood of Martissant. Now, it is giving something back.

Now open to the public

After Dunham passed away in 2006, her property was transformed into a cultural center, and now features an iconic library, whose five buildings – built to emulate movements of dance – were designed by Mexican architects Raúl Galvan Yañez and Winifred Jean Galvan.

This is why from a distance, it is possible to see and identify the geometric, free-flowing silhouette of the center. On the right hand side of the actual center is the relic of an imposing peristil which belonged to Katherine, and which she used during her time in Haiti as a space for Vodou ceremonies inspired by Dunham’s research into African and Caribbean culture.

Most days of the year, the cultural center is open to the public. It houses a very well composed library for young children, teenagers and adults. It is possible to check books out of the library, with a minimal subscription fee. An attractive, bright, intuitively built interior attracts you to a table, or to a shelf. Everything is exceptionally well designed to encourage community and communication.

Events

Because Martissant Park is under the sponsorship of Fondasyon Konesans Ak Libète (the Foundation for Knowledge and Liberty), the Centre also hosts many roundtable discussions, forums, and panels. There are rotating activities all week long for children, as well – ranging from storytelling workshops to readings conducted by popular Haitian authors. The Center also hosts book signings and conferences by young up and coming authors.

There is always plenty of activity at the Katherine Dunham Cultural Center. It is an exceptional venue made possible by an exceptional woman, and pays homage to her life as passionate activist who lived immersed in Haitian culture.


Written by Kelly Paulemon.

Published October 2020


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cosmogram being traces on floor with hand holding a candle

Where to go dancing in Port-au-Prince

crowd of people dancing with hands in the air during a concert
PAPJAZZ, Quisqueya University
Photo: PAPJAZZ / Roberto Stephenson

Where to go dancing in Port-au-Prince

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Dance to your own beat

With the sun sinking into the horizon over Bay du Port-au-Prince, the capital’s plethora of excellent bars are prime territory for drinking – and dancing – like a local.

But where to start? That’s where we come in! For week-long opportunities of nights out dancing in Port-au-Prince, here are our top recommendations:

haitian dj performining in front of ecstatic crowd
Yanvalou, Pacot, Haiti
Photo: Yanvalou

01. Yanvalou, Pacot

Yanvalou is a staple in Haitian nightlife. Once a week, it turns into party city with some of the capital’s best and freshest DJs, often featured alongside a performing band like Akoustik or Pawòl Tanbou, both regulars on the stage here. There is a cover charge of 500 HTG (about 5 U.S. dollars), and the party starts at 9 PM. When: Thursdays!

haitian girl with long braids smiling in dancing crowd
Fubar, Pétion-Ville, Haiti
Photo: Fubar

02. Fubar, Pétion-Ville

If you are in Pétion-Ville, this club is the place to be. Fubar is where you’ll find the city’s best flashback night, spinning everything from dancehall to old-school hip-hop. It’s always a fun time, especially with a great group of people! P.S.: there’s no cover charge! When: Fridays!

A line of dancers perform at the carnival in Jacmel, Haiti
Carnival in Jacmel
Photo: Franck Fontain

03. Carnival!

Carnival isn’t a venue, it’s an event. Or a month? Or maybe the real spirit of Haiti, descending underground for 11 months every year. Carnival is the best time to be in Haiti if you want the country to show you a good time!

While it may seem daunting to join in as an outsider, it is anything but – from pre-carnival Sunday daytime activities, to day-long activities on Champ-de-Mars during carnival itself, everything about Carnival in Haiti is an invitation to get moving. We recommend going in a good group – and staying smart – as it’s a super-crowded event. If you’re in Port-au-Prince during Carnival, you won’t have to wait until sundown to get your groove one – there’s dancing all day long!

Note: Separate carnivals happen across the country on a staggered schedule, so if you can’t be in PAP for the capital city’s carnival, you might be able to make it to Jacmel Carnival instead. When: January to February!

people relaxing on a hotel rooftop terrace
Asu Rooftop Lounge, Juvénat, Haiti
Photo: Asu Rooftop Lounge

04. Asu Rooftop Lounge, Juvénat

The fashion crowd heads to Asu – a notch more sleek and sophisticated than other venues on this list. You’ll find this rooftop lounge above Karibe Hotel in Juvénat. Asu is the home of house music in Haiti, and you’ll hear everything from popular hits to underground cuts. Reservations are strongly recommended. When: Fridays and Saturdays!

haitian musician with guitar singing on stage with microphone
Presse Café, Pétion-Ville, Haiti
Photo: PAPJAZZ

05. Presse Café, Pétion-Ville

For those seeking a more traditional, authentic musical experience of Haiti during their stay here, we can’t recommend Presse Café strongly enough. With a cozy, intimate setting, Presse Café is the destination for all things compas/kompa – a distinctive Haitian musical thread that crystallised in the 1950s after the band Conjunto International popularised it in mainstream music. Haitian compas legend Dadou Pasquet holds a residency at Presse Café on Friday nights. When: Fridays!

06. Goose Bar, in Tabarre

Island vibes call the island tribe! If you are looking for a low-key place to relax, unwind, and have a good, wholesome time – head over to Goose Bar in Tabarre! They host a weekly reggae event with a DJ and host that is sure to take the edge off a tough day. When: Wednesdays!

07. Anti-Stress, Lalue

Marked only by a small sign invisible to the untrained eye, Anti-Stress is one of those places that always has something going on, all week long – great music, ice-cold beers, and even a pool, if you’re trying to refresh, too! When you need a guaranteed good time no matter when you drop by, go straight to Anti-Stress! When: All week long!


Written by Kelly Paulemon.

Published March 2020


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