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How to Attend a Vodou Ceremony in Haiti

group of people standing around a candle and cosmogram drawn on floor
A Vodou ceremony
Photo: Pierre Michel Jean

How to Attend a Vodou Ceremony in Haiti

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There’s no doubt that Vodou is a powerful spiritual tradition. The world’s first free black republic was formed, at least in part, thanks to the uniting spirit of Vodou. Vodou was the common thread that united leaders in the Haitian revolution, despite their lack of a common language, tribal bonds or country of origin. In the space of just a few years, in a seemingly miraculous feat against the odds, an army of slaves threw off their chains, overthrew the French colonial government, beat Napolean’s navy, abolished slavery, and formed modern Haiti.

Today, perhaps not despite but because of these powerful roots, Vodou may just be the most maligned, feared and misunderstood spiritual tradition in the western world. It’s time to set the records straight. Perhaps the best way to help celebrate the freedom fighters and dispel the myths is to attend a Vodou ceremony in Haiti and see for yourself.

Here’s how.

drummer with open shirt and sweaty chest
A drummer at a Vodou ceremony
Photo: Franck Fontain

Find out about a Vodou dans

Sacred Vodou gatherings can be called by many names, most often a ceremony, ritual or dance. In Haitian Kreyòl, Vodou practitioners often refer to the event as a dance (dans). The terms dance and ceremony will be used interchangeably for the purposes of this guide.

Find out ahead of time who and what the dance will be for

It may be helpful to ask who the dance will be for and what purpose, if any, is intended. For example, is there a specific lwa (spirit) being evoked? If the ceremony takes place in early November, it will likely be held in honor of the Gede lwa and Day of the Dead. Remember that Petwo deities are the fiery, offense-oriented counterpart of the gentler, protective Rada deities. This can help anticipate the tone of the ritual.

If this is your first time attending a Vodou ceremony, it is recommended to attend a Rada dance, not least because you’re less likely to see animal sacrifice. For example, you could attend a springtime dance held to usher in a season of abundant harvest, good luck and good health. You may wish to begin with a Rada dance for Erzulie Freda, the goddess of love and sensuality, or La Sirène, the mermaid goddess of good luck, fertility and material abundance.

The rites, devotions and overall style of ceremony will vary greatly depending on which part of Haiti you are attending the dance in. For example, Papa Legba and the twin spirits known as Marassa are all recognized through particular rites with certain rituals, dances, drum rhythms, offerings, prayers and cosmograms drawn on the ground. But the specific interpretations of a Legba or Marassa dance in Cap-Haïtien will vary from one held in Jacmel. This is true for all rites and rituals across the different Vodou temples in Haiti.

Learn more about the different Vodou Gods & Goddesses here!

older haitian woman in a red dress with blue sequins
A woman at a Vodou Ceremony
Photo: Pierre Michel Jean

Expect to be there a while

A Vodou dance can last a long time. In Jacmel for example, the rum-fuelled drummers that launch a ceremony at dusk can be found still drumming at dawn – albeit with swollen and bruised hands. So like any dance you attend in a foreign city, bring plenty of water and relax expectations of a set time for when it will end. If you want an exit strategy mid-dance, go with someone who you trust will be flexible to go when you are ready, pay your respects to the host who invited you if possible, and you can simply leave when you’re ready.

exterior of vodou temple with handpainted wall depicting spirits
Vodou peristyle in Artibonite
Photo: Emily Bauman / Amanacer

What a vodou temple looks like

Vodou dances take place at a peristil: a temple, usually round, always with a pole in the center called the central pole (poto mitan) representing the navel of the universe. Many Vodou temples in Haiti are indoor-outdoor, while others are fully enclosed or completely open to the sky. Some sacred rituals take place at waterfalls like Sodo or near a sacred mapou tree, but for the purposes of this guide, we will assume you will attend a ceremony at a peristil.

At the center of the ceremonial space, you’ll see an altar. Bottles represent gifts and offerings. Machetes are symbols of honor and respect to entities in the spirit world.

Check your cultural baggage at the door

On the altar, you may also see skulls and other human remains. While the western world associates bones with death, necromancy and spooky halloween kitsch, it is important to know that skulls hold nearly the opposite significance in Vodou. Try looking at the skull and seeing the comforting presence of an ancestor, or the balance between life and death.

While western cultures tend to avoid death and displace it from the family home, keeping the dead close is a crucial part of cultures from Romania to Indonesia to Haiti. In Vodou, death is not to be hidden from daily life, but embraced in ceremonies as a way to more fully appreciate and celebrate life.

Ancestors and dead family members may be called on to join the dance. Those who have passed away come among the community once more to offer advice, and take part in the rituals. Rather than framing this as a haunting, think of it as a glorious family reunion.

When attending a Vodou ceremony it is a good idea to approach the experience with a blank slate, and a relaxed, open mind, ready to learn. Check your cultural baggage at the door and enjoy the ride of a totally new experience!

a group of vodou practitioners dressed in white
Dancing at a Vodou ceremony
Photo: Franck Fontain

Wear something nice, but not white!

What you wear matters! Business casual attire is appropriate. Avoid loud T-shirts or anything ratty or worn outMen can dress in jeans and a short sleeve button-up shirt, and women jeans and a blouse. Aim for fancy but respectful clothing, and no lavish jewelry. Rural dances will generally be more casual.

Color is a key consideration. The purity of white is highly significant at the dance and is reserved for Vodou practitioners, so it’s best not to wear white to any Vodou ritual. Patterns and colors are acceptable – but be careful with colorful head scarves! Keep reading to find out why.

It’s helpful to remember that Haiti can be remarkably hot at nearly any time of year and even sometimes at night. Linen and cotton are your best friend, regardless of whether you plan to attend a ceremony in a city or rural environment.

Bring an offering

While a Vodou dance is no dinner party, it is appropriate to bring an offering of alcohol. Wine is not the hostess’ beverage of choice in this case. Ask if you can offer a liter or half gallon of unrefined rum, called kleren. You can buy it locally and inexpensively almost everywhere in Haiti, but the gesture is important and will be valued, particularly in rural settings. Kleren is the fuel of many Vodou dances, offered to the spirits and the sèvitè (servants of the spirits) alike. The drummers – who often play all night and into the dawn – will be especially appreciative.

a vodou priest and practitioner performing a dance
A ougan at a Vodou ceremony
Photo: Pierre Michel Jean

Beginning the dance

A series of prayers, sometimes Roman Catholic in origin, begin the ceremony. Vodou spirits who serve as gatekeepers are saluted with appropriate honors, offerings, and invocations. If invoking the fiery Petwo lwa, voudiwizans might use whip-cracks, whistles, gasoline and even lit gunpowder to get their attention.

Who leads the dance?

You will be able to identify the Vodou initiates (the men and women who will orchestrate the ceremony) by their all-white ceremonial garb. Most initiates wear traditional Haitian skirts in white, starched white blouses and a white handkerchief on the head. Some may wear colorful satin headwraps. The color of the headwrap is associated with the lwa being served that day, but it also indicates rank in the temple hierarchy.

Mambo or manbo is the name for a female Vodou priestess. Ougan is the name for a male Vodou priest. Mambo and ougan are figures of great authority and respect in the community, responsible for intervening in a wide range of societal hardships, from illness to family conflict, financial trouble or even just a string of bad luck. As intermediaries between the lwa and humans, they act as servants who restore health, harmony and balance.

Drumming is believed to create a passageway to the spirit world. It’s a rhythmic invitation to the lwa to attend the dance being held in his or her honor. Much like a radio station, when the drummers tune into the specific FM frequency of the lwa, it begins to broadcast on that channel. Each lwa has their own drum rhythm and associated dances, and there can be variations between traditions, as well – a Dahomey-descended drum rhythm is different from a Congo-descended drum rhythm. Initiates can spend lifetimes perfecting their repertoire.

cosmogram being traces on floor with hand holding a candle
A vèvè being drawn on the floor of a hounfour
Photo: Pierre Michel Jean

Vèvè cosmograms

Towards the beginning of the dance, initiated Vodou practitioners will trace a vèvè cosmogram on the floor with white powder. This takes immense skill, precision and training. These symmetrical vèvè are ancient and unique to each lwa.

Once it is traced in perfect symmetry on the floor of the temple, an essential element is in place permitting the lwa to descend. Like the unique drum rhythms, the unique cosmograms are call signs, drawing down a particular lwa. As well as the precisely-drawn vèvè on the ground, a sequined flag depicting the cosmogram is hung in a place of honor for all to see.

Learn more about the intricate art of Vodou symbols with our visual guide to the vèvè of Haitian Vodou.

Possession Trances

If the dance is a success, expect to see a possession trance. In creole the person possessed is known as the chwal (horse) that will be “ridden” by the lwa. Here’s how to identify a chwal:

You may see people with pupils dilated, people with spasmodic behaviour, seemingly out of control of their bodies doing the impossible like walking over flaming hot coals. There is no need to be alarmed when people give their bodies over to the lwa to be directed in this way. It means the ceremony is a success, and it represents a culmination of complex rites and practices that have survived hundreds of years of repression.

The trance is an opportunity for the spirit to perform healing through the possessed chwal. Blessings may take place, and it’s also a chance for the lwa to rebuke those in the community who need to smarten up and change their ways.

The possession trance may last for just a few minutes or for several hours. The chwal who has given his or her body in service to the lwa will most likely wake up exhausted, not remembering what has transpired.

people dressed in white dancing and drumming during vodou ritual
Drumming and dancing at a Vodou ceremony
Photo: Pierre Michel Jean

If you’re afraid of the devil or possession…

Put aside imagery from horror films like The Exorcist or associations of possession with demons. Instead, remember that people enter the possession trance willingly. No matter what happens, remember that Vodou is practiced to restore order, balance, health, and harmony in the lives of its followers.

Many non-practitioners both in Haiti and abroad have been taught to associate Haitian Vodou with evil, demonic possession and even satanism. This is rather silly and slanderous, as there is not even a satan figure in the Vodou pantheon of spirits who could be worshiped.

Vodou practitioners believe in a supreme god named Bondye or Gran Met who is all-powerful yet remains aloof. There is no devil counterpart to Bondye, and like the concept of “source” or “godhead”, he is not directly involved in human affairs. The multitude of lwa – spirits of the ancestors – serve as intermediaries, much more comparable to the saints of the Catholic church than demons.

Still afraid you might get spontaneously possessed? Read our article Haitian Vodou Revealed to learn why this won’t happen.

Animal sacrifice

To ask for good luck, the servants of the spirits may make a blood sacrifice. Animals like roosters, chickens, doves, pigs, and goats may be slaughtered during the ceremony. The offering can be more or less bloody depending on whether it is for a fiery Petwo bosu (bull) spirit offering compared to, say, a ceremony held in honor of the gentle rada Marassa twins.

For western travelers who have grown up aware of PETA campaigns and animal rights activism work, it may be difficult to fathom 5,000 year-old ancient rituals being practiced largely unchanged today. If you are concerned about your reaction to this ancient practice, ask for details in advance so you can decide whether or not to attend.

older haitian women dressed in pink with chair on head
Women at a Vodou ceremony
Photo: Pierre Michel Jean

Do your homework

Haiti’s National Museum in Port-au-Prince is a great place to see some of the oldest, most historic Vodou drums – some date back to the 1500’s! The Musée du Panthéon National Haïtien (MUPANAH) is located on the Champs de Mars Boulevard and features a collection showcasing the heroes of the independence revolution, and the tools they used to found modern Haitian culture.

Just around the corner from the National Museum is the Bureau of Ethnology, a museum dedicated entirely to Haitian Vodou! If possible, do visit at least one of these museums prior to your Vodou ceremony experience.

LGBTQ+ and Safe Spaces

Cross-dressing, trans identies, and all gender expressions are welcome in Vodou communities. Same-sex relationiships and behaviour are often accepted without question. No one bats an eye – in this space, at least, these minority identities are respected as servants of the goddess of love, Erzulie. Expect the dance to be a safe space. You may see men in women’s dresses and much stranger things.

haitian vodou practitioners during ceremony
A ‘Chire Aiyzan’ ritual being performed during a Vodou eremony
Photo: Pierre Michel Jean

100% Vodou

The truth is, that even some Haitians who follow the Protestant or Catholic traditions and attend mass on Sundays can be found seeking advice from a mambo or ougan during the week. In fact, a popular bumper sticker in Port-au-Prince reads “Haiti, 80% Protestant 100% Vodouisan.” For outsiders, this widely-accepted practice can be hard to understand. Yet when a family member falls ill or life situations get dire, this faith-flexibility is common. It’s part of the complex syncretism of Haitian culture, where things are multi-layered and far richer in meaning than they often seem on the surface. Some people might go so far as to argue that you cannot truly understand Haitian culture until you have taken part in a Vodou ceremony.

At the end of the day, no matter your race, religion, sexual orientation or country of origin, you will be accepted with grace and warmth at a Vodou ceremony. Everyone is respected and the protection, good luck, and wishes for good health are extended to all who attend.

What do you say? Maybe it’s time to dance…


Written by Emily Bauman.

Published January 2021.


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Parc de Martissant

lush green garden area with path
Parc de Martissant
Photo: FOKAL

Parc de Martissant

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Created in 2007 by joining together four huge estates, the Parc de Martissant provides public oasis where people can relax, share skills and culture. Students and tutors from nearby schools are often found wandering in the park, reading or chatting together. The second central aim of the park is to preserve Haiti’s beautiful native flora.

Year round, the garden is bursting with tropical sights and smells: pink and yellow frangipani, hibiscus, red ginger (or ginger lily), spider lily, the exotic ‘lobster-claws’ flower and dozens of others we didn’t know the name of.

Stroll through lush rolling lawns, roped paths, feature trees, flower guilds and wooded groves circumscribed by stone walls, natural amphitheatres and outdoor galleries as well as three separate groups of buildings, most notably the Katherine Dunham Center.

building with futuristic designed roof in public park
Katherine Dunham Cultural Center, Port-au-Prince
Photo: FOKAL

The Katherine Dunham Center

The Center was once the residence of African-American dancer and choreographer Katherine Dunham, the ‘matriarch of black dance.’ In 1935, Dunham obtained travel fellowships to the Caribbean to further her studies on dance and vodun – or vodou – leading her straight to Haiti.

Here, she spent an extensive amount of time researching, learning, and developing her own dance method. After Dunham passed away in 2006, her property was transformed into a cultural center, and now features an iconic library, whose five buildings – built to emulate movements of dance – were designed by Mexican architects Raúl Galvan Yañez and Winifred Jean Galvan. This library is a hive of activity for students and fans with cultural activities, public readings and more each week.

garden area with rosemary and other herbs
The Medicinal Garden, Parc de Martissant
Photo: Ray Ginald / FOKAL

The medicine garden

The Centre is also where you’ll find guides willing to show you around Parc de Martissant’s extensive garden of medicinal plants. The tour is very detailed, and guides are always more than happy to answer questions, but visitors are free to walk around and observe by themselves if they prefer.

Depending on the time of year, some of the plants are blossoming or yielding fruit. The medicinal plant garden sits adjacent to a community produce garden, whose bounty is gathered whenever it is ripe and made available to the local community.

old concrete swimming pool without water in a tropical garden
Habitation Leclerc, Parc de Martissant
Photo: FOKAL

Habitation Leclerc

Elsewhere in the park’s 17 acres, you’ll find a former luxury hotel called Habitation Leclerc. In the sixties and seventies, the villas with private pools of Habitation Leclerc was a point of reference for the jet-setting elite of the world.

artwork sculpture haning from tree with pink flowers
Art installation by Pascale Monnin at Parc de Martissant
Photo: Valérie Baeriswyl

The earthquake memorial

The third major installation of Parc de Martissant is the January 12 2010 Memorial. It was built on the former residence of Haitian architect Albert Mangonès – the sculptor behind the Marron inconnu or Nèg mawon statue at Champ-de-Mars.

Erected in 2012, the memorial is a symbolic resting place for the souls of those who passed away during the 2010 earthquake. Residents of Martissant planted ylang ylang trees on the perimeter of the memorial and every afternoon the trees’ scent is released throughout the area at a similar time to that of the deadly earthquake in 2010.

The memorial also features a permanent art installation by Haitian artist Pascale Monnin. Skulls made from iron and cement covered in mirror shards hang from a giant tree, twisting and swinging in the wind. Monnin shaped and crafted these skulls based on the faces of residents of Martissant. From the early hours of morning into the late afternoon, they catch and reflect the Caribbean sunlight.

How to visit

The best time to visit the park is in the morning. The ravaging heat of Martissant will not yet be in full effect, and the park is still waking up.

The park is designed with an organic flow in mind – while there isn’t always designated seating, there are low walls or stairs where visitors often sit and hang out.

Guided tours at Parc de Martissant are paid. Children under 6 years of age enter free of change; those between 7 and 18 years old pay 25 gourdes, and people over 18 years of age pay 50 gourdes. The spaces that are currently open for touring are the January 12 2010 Memorial, the Katherine Dunham Cultural Center, and the medicinal plant garden.

If you are planning to visit the center, it is worth noting that the guided tours are in Haitian Creole – therefore, having a bilingual friend or guide to tag along is a good idea! If you visit during the summer, you will greatly benefit from making a reservation in advance, as the tour guides tend to be quite busy during that time of the year with group excursions.


Written by Kelly Paulemon.

Published December 2020


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Try Barbancourt rum

a mixed rum sour drink with ingredients
Rum sour cocktail made with Barbancourt Rum at Hotel Florita, Jacmel
Photo: Mikkel Ulriksen

Try Barbancourt rum

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While Haitian culture might be distilled down into the Kreyol phrase pa gen pwoblem – translated as ‘have no problem’, there’s plenty of things Haitian culture does have in spades: beaches, carnivals, rara bands, public transport banter and, of course, rum!

Rum production goes back centuries in Haiti, and one of the oldest brands is also the biggest – you’ll see the “Barbancourt” brand wherever you go.

But how did this rum become such a fixture of Haitian culture?

Distilled in Haiti since 1862

Haiti’s most popular rum distillery started in 1862 when Frenchman Dupré Barbancourt set foot in Haiti. With a background of cognac production in southwestern France; the original Barbancourt moved to Haiti to capitalise on the island’s famed sugar production.

That same year, once Barbancourt had learned the basics of making rum rather than cognac, he opened and launched his business. Incorporating his knowledge about cognac-making, Barbancourt double distilled his rum, increasing the alcohol content of the final product.

In the early days, a gallon of Barbancourt rum retailed for thirty cents!

After Barbancourt passed away, his wife Nathalie Gardère took the reigns. The business has remained in the family ever since, and is now into a fifth-generation.

a bottle of haitian rum
Barbancourt Estate Reserve rum with artwork by a famed Haitian painter Félix Jean
Photo: Franck Fontain

A cultural icon

The company evolved to become the most well-known and celebrated rum in Haiti. By making appearances at all major cultural events – carnival, rara season, patron saint festivals – Barbancourt solidified its iconic presence in Haitian culture.

These days, Barbancourt prides itself on being a Haitian company, employing Haitians to make a product for Haitians. Since its founding, it has been one of the strongest supporters of the Haitian art and culture scene (look closely at the packaging of the Estate Reserve rum and you’ll find an artwork by a famed Haitian painter Félix Jean).

An article about rum in Haiti wouldn’t be complete if we neglected the importance of rum in Haitian folklore and Vodou. At most Vodou ceremonies, carnivals and patron saint festivals, rum is the party-starter, the unifier and unwinder that helps Haitians celebrate togetherness and identity.

haitian bartender in bar interior presenting a rum sour
Bartender making rum sour with Barbancourt Rum at Hotel Florita, Jacmel
Photo: Mikkel Ulriksen

Which Barbancourt should you try?

The youngest of Barbancourt’s offerings is a powerfully sweet yet strong white rum. Because of its purity and strength, it is very popular in mixed drinks, but also enjoyed on its own.

There is the four year old three star rum, which is more full-bodied and mellow. A step above is the eight year old five star rum, a non-negotiable staple in any and all bars of Haiti. Here, flavor notes are more perceptible, and force a pause to fully enjoy them.

Next is the fifteen year old estate reserve rum, often reserved as a digestive because of the complexity of the aromas from the scent to the finish.

Where to try it

Stop by your local supermarket or neighborhood shop – the supermarkets tend to have both bottle sizes (750mL and 175mL), while the neighborhood shops are more likely to stock only the smaller (175mL) bottle.

Over ice, dry with a squeeze of lemon, or with a cocktail mixer, Barbancourt is a must-try Haitian experience if you want to truly say you’ve been here!

warehouse filled with wooden rum barrels
Barbancourt rum distillery, Port-au-Prince
Photo: Franck Fontain

Visit Barbancourt distillery

Just a few kilometers north of Port-au-Prince airport, the Barbancourt distillery hosts tours every Friday from November through May. The tours last about two hours and are run in French or English. Visitors will be walked through the whole process from unloading sugar canes to bottling and ageing, and enjoy a degustation of all the rums up to the 15yo.

You can buy rum from the cellar door starting from USD $17 for the 8yo and USD $45 for the 15yo. Make sure you bring USD if you can – they distillery prefers USD over HTG. Whatever you do, we recommend you reserve your place in advance.


Written by Kelly Paulemon.

Published November 2020


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Visit the Katherine Dunham Cultural Center

building with futuristic designed roof in public park
Katherine Dunham Cultural Center, Port-au-Prince
Photo: FOKAL

Visit the Katherine Dunham Cultural Center

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Located in the crescent coast of the bay of Port-au-Prince, the neighborhood of Martissant was once home to boulevards and villas where Haitian high society lived and thrived. These days, Martissant is high-density and not exactly a tourist destination. But there are a few things in Martissant that are worth the trip, and the Katherine Dunham Cultural Center is one of them.

Nested away in Martissant Park, the Katherine Dunham Cultural Center is a haven of peace, calm and community. It is named after African-American dancer and choreographer Katherine Dunham, who moved to Haiti in the 1930s to learn about the African heritage of Caribbean dance forms. Now known as the ‘matriarch of black dance’, Dunham is credited with bringing African and Caribbean rhythm and technique into the professional dance repertoire.  

Katherine Dunham’s private home and studio

During her stay, Dunham befriended a few Haitian officials, and became an important cultural ambassador for Haiti. In the centre of Martissant, Dunham purchased a leafy seven-acre property, which she used for herself and for her US-based dance company. A hotel was built there, and for a number of years Dunham received and entertained the elite of Haiti and other lucky invitees.

The lavishness inside the walls, and luxury of being able to focus on art, was an extremely sharp contrast to the poverty-afflicted neighborhood of Martissant. Now, it is giving something back.

Now open to the public

After Dunham passed away in 2006, her property was transformed into a cultural center, and now features an iconic library, whose five buildings – built to emulate movements of dance – were designed by Mexican architects Raúl Galvan Yañez and Winifred Jean Galvan.

This is why from a distance, it is possible to see and identify the geometric, free-flowing silhouette of the center. On the right hand side of the actual center is the relic of an imposing peristil which belonged to Katherine, and which she used during her time in Haiti as a space for Vodou ceremonies inspired by Dunham’s research into African and Caribbean culture.

Most days of the year, the cultural center is open to the public. It houses a very well composed library for young children, teenagers and adults. It is possible to check books out of the library, with a minimal subscription fee. An attractive, bright, intuitively built interior attracts you to a table, or to a shelf. Everything is exceptionally well designed to encourage community and communication.

Events

Because Martissant Park is under the sponsorship of Fondasyon Konesans Ak Libète (the Foundation for Knowledge and Liberty), the Centre also hosts many roundtable discussions, forums, and panels. There are rotating activities all week long for children, as well – ranging from storytelling workshops to readings conducted by popular Haitian authors. The Center also hosts book signings and conferences by young up and coming authors.

There is always plenty of activity at the Katherine Dunham Cultural Center. It is an exceptional venue made possible by an exceptional woman, and pays homage to her life as passionate activist who lived immersed in Haitian culture.


Written by Kelly Paulemon.

Published October 2020


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Photo Journal: Pétion-Ville

man walking in hotel area with parasols and lounge chairs
Passerby at Hotel NH Haiti El Rancho, Pétion-Ville
Photo: Alain David Lescouflair

Photo Journal: Pétion-Ville

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Pétion-Ville benefits from being between the residential area of Pelerin and the larger commercial areas of downtown Port-au-Prince and Delmas. It is a place in between, but with a life of its own.

red vintage car in port-au-prince
Street life in Pétion-Ville
Photo: Alain David Lescouflair

In the mornings, after rush hour, the area is a delight to observe. Free from the traffic of frantic parents and children trying to get to work and school, Pétion-Ville sheds a layer and public squares like Place Saint-Pierre or Place Boyer come alive.

white church building in petion-ville
Saint-Pierre Church
Photo: Alain Lescouflair

Across the street from the church of the same name, Place Saint-Pierre is where many people sit for lunch, a conversation, or just a leisurely stroll in the late morning and early afternoon.

man sitting next to a parked bmx bike in public square
A bike rider takes a break in the shade at Place Saint-Pierre
Photo: Alain Lescouflair

When school is in session, the students from Lycée Pétion-Ville will sometimes venture outside of the playground and play in the park. Some ride bikes, some play tag, and others enjoy their lunch before they head back to class.

haitian boys in school uniforms on bmx bikes
Students riding bikes at Place Saint-Pierre
Photo: Alain Lescouflair

Pétion-Ville is a city of colors, sometimes peeking from between trees, and some other times in bold display as a background to street vendors of food, electronics, and every day household items.

sandals on display on a tiled wall
Sandals displayed for sale in front of bright mosaics
Photo: Alain Lescouflair

Should you be in the area, you should definitely try some fresko, or shaved ice while you venture through the city. A very affordable treat, it’s particularly delicious with roasted peanuts on top!

vendor pouring syrup on shaved ice
A fresko vendor pouring passionfruit syrup on shaved ice
Photo: Alain Lescouflair

When you first go through Pétion-Ville, the idea of it being a peaceful city may seem a bit odd — but once you take your time to experience it, maybe on foot, you start to understand that cities don’t just happen to be peaceful, they are made that way.

three haitians sitting on grass lawn talking
A small group sits in the shade to chat at Place Saint-Pierre
Photo: Alain Lescouflair

Pétion-Ville radiates a different energy at night. A favorite food and drink pit-stop for party-goers, both before and after an event, it seems to shed its daytime shine to reveal a soft but lively nighttime glow.

night time traffic by gas station
Bird’s eye view from the top of the Royal Oasis Hotel
Photo: Alain Lescouflair
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cosmogram being traces on floor with hand holding a candle

Photo Journal: Marigot

aerial view of port with boats and people
Port of Marigot, Haiti
Photo: Franck Fontain

Photo Journal: Marigot

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Marigot’s farmers’ market is a salient feature of the village. An important pulse point, the market only operates on Saturdays. Boats arriving from Anse-à-Pitre dock at the port hours before the sun rises over the village.

large wooden boat with haitians on the open ocean
Boat arriving from Anse-à-Pitres to Marigot
Photo: Franck Fontain

The boats are a great way to kill two birds with one stone. On the one hand, they carry goods to Marigot, and on the other, because road conditions are awful, they facilitate the transportation of passengers.

group of haitians stading on wharf with boats
People waiting on the wharf in Marigot
Photo: Franck Fontain

These boats carry people heading to or from places like Savane Zonbi, Thiotte, Anse-à-Pitres, or the Dominican Republic.

large wooden boats with haitians docking on beach
Boat from Anse-à-Pitres docking in Marigot
Photo: Franck Fontain

The scene at the port is both very Haitian and extremely picturesque. Nimble and hardworking men move packages off the boats and onto the docks.

man standing on boat pulling a large rope
A man mooring a boat in Marigot
Photo: Franck Fontain

Wading through water up to their chests, they balance very large sacks of coal, heavy coolers stuffed with fish, and even stacks of packed cardboard boxes on their heads.

two haitians weighing fish at market
People working at the fish market in Marigot
Photo: Franck Fontain

From the docks, all these packages are loaded onto trucks headed to other cities, but– careful! These workers move fast, and need you to be out of their way. There’s no time to waste!

a fish market in haiti with many people
The fish market in Marigot
Photo: Franck Fontain

The coolers of fish are taken to the nearby fish market; an open building located just a short walk from the wharf. This is where fish is weighed and priced.

As any farmers’ market in Haiti, haggling is a must, and commotion is everywhere; from fish vendors to other merchants crisscrossing the building.

to haitian men sitting on a stony beach with boats
Two men watching the boats being unloaded
Photo: Franck Fontain

Large amounts of fish and seafood in Marigot regularly make their way to plates in Port-au-Prince, as middlemen come to stock up for the capital’s restaurants every week.

aerial view of coastal village with market area and boats
Sun rising over the port of Marigot
Photo: Franck Fontain
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old colonial houses on city street in jacmel