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Fèt Gede – the Haitian Day of the Dead

haitian man dressed in purple shirt with human bones celebrating fet gede
Fèt Gede in Port-au-Prince
Photo: Franck Fontain

Fèt Gede – the Haitian Day of the Dead

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Every year, on November 1 and 2, Haiti becomes the stage for a unique celebration: Fèt Gede, the “Festival of the Dead”. Much like the Day of the Dead practiced in Mexico and by Latin communities in the US, Fèt Gede is a way to pay respects to loved ones who have passed on.

In Haiti, each religion celebrates this differently: Catholics meet at church for a mass dedicated to the deceased, and Protestants come together too — but adherents of one of the country’s state religions — vodou — celebrate their deceased in a much more festive way. Although it overlaps with the concept and calendar space of Christian All Souls Day, Fête Gede traces its origins to African ancestral traditions, preserved across oceans and centuries in modern-day Haiti.

Gede shows are notoriously loud and extravagant, and can be seen nearly everywhere across Haiti, with Vodou practitioners dressed elaborately to represent the subset of lwa or loa — “spirits” — called gede — “the dead”.  Gede may be invisible for the rest of the year, but during Fèt Gede, the dead definitely do not go unnoticed!

See more photos from a Fèt Gede celebration in Gonaîves here!

Vodou, lwa and gede

Vodou is a prominent feature of Haitian culture, and as a religion it has many practitioners —  called vodouwizan — spread across the country. The religious syncretism between vodou and christianity has historically made it difficult to make an official estimate of numbers of practitioners, since most people who practice Haitian vodou to some extent also identify with a Christian denomination, but unofficial estimates suggest as much as 50% of Haitians practice vodou. For these vodouwizan, Fèt Gede is an important occasion to honor the gede.

But what are the gede exactly?

Every vodouwizan has their own gede. It’s either a close friend or a relative – the gede is the reincarnation of a loved one who has come from the afterlife to live in the body of the vodouwizan who called upon them. But not every ancestor is venerated as a gede. For the dead to become a gede, the vodouwizan must, through a Vodou ceremony, contact the deceased and transform them into a gede, which they can then invoke as they see fit.

According to vodou, by becoming a gede, the deceased are transformed from being simply a human soul that has passed on into a lwa, and this lwa generally has a name that begins with gede, for example, gede loray, with loray meaning “thunder.” Sometimes a relative who served a gede dies, and another vodouwizan decides to take up servitude of that same gede.

Party in the cemetary


During gede celebrations, the streets of every city are full of vodouwizan. On November 1 and 2, vodouwizan come together to around cemeteries to make devotions, perform precise rituals, and to generally honor the deceased.

Every cemetery on the island is overrun by vodouwizan – some possessed by gede, and others not. Those who are possessed are easily recognizable by their attire: dressed in white, black, and purple, their faces covered in white powder and black sunglasses, a walking stick in hand, and the indispensable bottle filled with alcohol and hot peppers (especially kleren and a type of habanero called goat pepper). The gede love hot peppers, and from time to time, in the middle of the street, they pour the pepper-infused alcohol all over their bodies, and particularly on their genitals, writhing and mimicking erotic postures and scenes, much to the delight of spectators.

Possessed by the gede lwa, these men and women cover several miles on foot while dancing, their waists leading their every movement. Following an unspoken instruction, they all share a single final destination: the cemetery. Once at the cemetery, the boisterous spectacle continues with loud singing, erotic dancing, and bodies drenched in spicy substances. Other vodouwizan who have come to visit their deceased relatives and friends take some time to pour coffee and grilled corn on their graves, and talk with the relative or close friend.

But first, paraders must obtain permission to enter the cemetery at the ceremonial grave of the “first man”, Bawon Samdi, and the first woman, Manman Brijit. The gede are a very large family; Bawon Samdi represents the father, Manman Brijit the mother, and they’re followed by Bawon Kriminèl, Gede Nibo, Gede Loray, Brave Gede, and Gede Zanrenyen, who together form an escort for all gede.

Bawon Samdi (/Samedi), also known as Papa Gede, presides over the festivities. Papa Gede’s colors are black, white and purple, and he is often characterized smoking cigars, wearing a top hat and sunglasses – frequently with only one lens. Some say this is because Bawon Samdi sees both worlds, which gives him an uncanny resemblance to the one-eyed god Odin of Nordic mythology, who also tread the path between the dead and the living.

haitian girls in purple/white dresses and painted faces celebrate fet gede
Fèt Gede celebration
Photo: Kolektif 2 Dimansyon

How to get involved

Each November heralds the sacred and spectacular celebration that is Fèt Gede – a raucous, bawdy, fiery festival that embodies many of the essential elements of Haitian culture, all splashed with bright paint, spicy food, strong drinks, and the rhythm of people’s feet on the pavement.

Fet Gede rituals are held throughout November but are concentrated on November 1 and 2. The biggest and brashest parade happens in Port-au-Prince at The Grand Cemetery, or ‘Grand Cimetière’. If you’re travelling by car, be prepared for the enormous crowds that make it impossible to get near the cemetery – you won’t find a place to park, but a chauffeur should be able to get close enough to at least stop and let you out. Entrance is through the main gates, which reads “Souviens-Toi Que Tu Es Poussiere” (“remember you are dust”).


Written by Jean Fils and translated by Kelly Paulemon.

Published October 2019


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Ten of the Best Books about Haiti

A woman wearing a bikini relaxes in a window holding a book
Relaxing in a window in Haiti
Photo: Amanacer / Emily Bauman

The 10 books you should read before you visit Haiti

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Did you know that in Haitian vodou, a healer and a sorcerer are two completely different things? There are so many things to learn about Haitian culture and history that sometimes, the details slip between the fingers. The best way to catch them? Get comfortable with a good book!

Planning a visit to Haiti, or just want a closer understanding of this “land with a soul”? Here are the top 10 books that explore the fascinating history and culture of Haiti.

Masters of the Dew by Jacques Roumain

For those of us who love literature, nothing replenishes our sense of self or our faith in humanity like a good novel. Speaking of humanity, Masters of the Dew by Jacques Roumain, published in 1944 just a few months before the death of its author, is a Haitian literary classic par excellence.

Masters of the Dew is a deeply powerful story of traditional life in rural Haiti, overshadowed by the natural world but illuminated by human struggles. The novel touches on the necessity for a man to confront adversities great and small, from the need for freedom and a future for an entire population, to the need for water, soil and silk. Masters of the Dew is a parable of sorts, and compelling argues that the most beautiful mathematical equation is an addition.

Roumain was deeply invested in politics, and is famous in Haiti for founding one of the nation’s most important institutions for cultural preservation, the National Bureau of Ethnology, as well as resisting American occupation and advocating for Marxism. In fact, it was only thanks to the help of Roumain’s friends in France, André Breton and Aragon (both antifascists and members of the French surrealist movement), that Masters of the Dew was able to see the light of day in France.

We can’t mention Jacques Roumain without introducing another Jacques (and another of Haiti’s great novelists) – Jacques Stephen Alexis.

General Sun, My Brother by Jacques Stephen Alexis

Son of Haitian diplomat and novelist Stephen Alexis (1889–1962), Jacques Stephen Alexis distinguished himself early in life as a brilliant writer and politician. Another outspoken Marxist and close friend of the French surrealists, Jacques Stephen Alexis was already a respected thinker when he published his debut novel, General Sun, My Brother.

The story follows the life of two Haitian laborers from the slums of Port-au-Prince to the cane fields of the Dominican Republic, where they find themselves swept up into one of the most nightmarish moments in the diplomatic history of Hispaniola: the 1937 massacre. Strongly inspired by Roumain’s Masters of the Dew, General Sun, My Brother is a call to action, a refusal of passivity.

In the Flicker of an Eyelid by Jacques Stephen Alexis

Building on the acclaim of his debut novel, In the Flicker of an Eyelid propelled Alexis to his reputation as a genius writer. Another pillar of the Haitian classical canon, In the Flicker of an Eyelid is considered the most beautiful romance novel in Haitian literature. The story begins in a bordello in Port-au-Prince, but don’t let that mislead you – more than just a love story, this novel interweaves lessons about love, doubt, politics, social consciousness, patriotism, and the passage of time.

Rires et Pleurs (Laughs and Cries) by Oswald Durand

If you’re open to poetry and get sentimental about sunsets, reach for Rires et Pleurs (Laughs and Cries)Rires et Pleurs carries in it all of the symbolic weight of a people freshly liberated and on a quest for beauty. Oswald Durand is to poetry what Alexis is to novels.

Les Cinq Lettres by Georges Castera

“It is not with ink that I write to you but with my voice of drums besieged by falling stones”

Has a man loved before like Georges Castera in Les Cinq Lettres? “Love me like a burning house” is the poet’s request in this collection, and if you love French poetry then you and Les Cinq Lettres will get on like a house on fire.

So Spoke the Uncle by Jean Price-Mars

Want to learn more about Haitian culture and identity through a sociological/scientific framework? You’ll want to start with the book that sits at the root of the largest sociocultural movement of the Caribbean and Africa: blackness. In So Spoke the Uncle, Jean Price-Mars preaches a return to Haitan cultural origins. After all, he says, how do we know where we’re going if we don’t know where we come from?

Today, So Spoke the Uncle remains a the go-to reference text for anthropologists consulting the concepts and events crucial to Haiti’s history.

The Equality of Human Races by Anténor Firmin

Long before Price-Mars, Anténor Firmin was writing The Equality of Human Races to show that there was no such thing as race and that black, white, brown, or in between, the human species is one being, united and indivisible. One of the biggest public high schools in Port-au-Prince is named after Firmin.

Peintres Haitiens by Gerard Alexis

Interested in Haitian art? Peintres Haitiens by Gerard Alexis should be right up your alley. With over 300 color reproductions and text including art theory and artists’ biographies, Alexis explores five tenements of Haitian art: portrait and historical paintings, nature and daily life, vodou mysticism and figuration-abstraction.

Voodoo: Search for the Spirit by Laennec Hurbon

And if you want to quench your curiosity for Haitian vodou, we strongly recommend Voodoo: Search for the Spirit by Laennec Hurbon. Neither in-depth study nor lighthearted foray, Voodoo: Search for the Spirit offers an excellent, accessible, practical overview of the topic, enriched by pages and pages of gorgeous full-color photos and excerpts from other literature on vodou.

Haiti: the Aftershocks of History by Laurent Dubois

“As acclaimed historian Laurent Dubois demonstrates, Haiti’s troubled present can only be understood by examining its complex past. The country’s difficulties are inextricably rooted in its founding revolution – the only successful slave revolt in the history of the world; the hostility that this rebellion generated among the surrounding colonial powers; and the intense struggle within Haiti itself to define its newfound freedom and realize its promise.” ― Macmillan

Here’s what the critics say about Haiti: the Aftershocks of History:

“Well-written, authoritative history… enriched by careful attention to what Haitian intellectuals have had to say about their country over the last two centuries.” ―The New York Times Book Review

“A sweeping, passionate history of Haiti… Smart, honest, and utterly compelling, this book is the national biography this country and its people deserve.” ―Boston Globe

“A book as welcome as it is timely: a lucid one-volume history of the nation, from Toussaint to the present, anchored in scholarship but rendered as a comprehensive-but-swift narrative for the general reader.” ―The Nation

“This excellent, engaging history seeks to strip away centuries of mocking and reductive bias. Dubois’s Haiti is a land of ceaseless activity, a ferment of suppression and insurrection exacerbated by the mercenary intrusions of foreign powers–in the past century, chiefly the United States. Dubois also traces a parallel history of bold social experiments on the part of everyday Haitians… Throughout, he makes clear how economic pressures and political crises have left even the county’s better leaders hamstrung, without downplaying their failures in fulfilling Haiti’s great promise.” ―The New Yorker

Read more critics’ reviews for Haiti: the Aftershocks of History.

Bonus:

La Belle Amour Humaine by Lyonel Trouillot

Mon Pays Que Voici by Anthony Phelps

History of Haiti by Suzy Castor. French edition (Haiti Autrement) available online here


Written by Melissa Beralus and translated by Kelly Paulemon.

Published December 2019


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Festikap Kite Festival

three haitian boys flying a kite
Festikap Festival, La Vallée de Jacmel
Photo: Franck Fontain

Festikap Kite Festival

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Picture this: After a week of adventuring across Haiti, from hikes to road-trips to the beach and hidden waterfalls, it’s time to celebrate the new year. You decide to go to Jacmel and watch the fireworks by the beach. The next day, you throw a picnic blanket in the car, drive up to La Vallée, and admire a sky full of kites while you kick back with food and drinks. You can even try your hand at flying a kite yourself, with the help of other participants or the festival organisers. It will take a little less than 300 gourdes (about US $3) to buy a nice kite and participate.

Because you can buy a kite on arrival, the bar for getting involved is pretty low, so Festikap makes a great spontaneous adventure! The festival happens every January 2nd, making it the perfect activity for anyone planning to spend New Year’s Eve in Jacmel (or – even Port-au-Prince).

Festikap vibes are comparable to Champ-de-Mars in February during carnival. Kites in a stunning display of colors and creativity fill the sky for hours on end: it’s a flying art exhibition. With children running around, elders watching and younger folks flying their kites, the atmosphere in La Vallée is like one big camping trip.

Behind the magic

The famous kite-flying festival of La Vallée de Jacmel — or “La Vallée” as locals call it — will be celebrating its 10th anniversary in the coming year. Festikap is a festival put together by the Organization of Young Valley University Students for Progress (Organisation Universitaire de Jeune Valléens pour Le Progrès) with the goal of preserving a tradition deeply rooted in Haitian culture but threatened by forgetfulness and abandonment. This yearly event serves as an entry point to the beautiful community of La Vallée de Jacmel. The celebrations conveniently happen on January 2nd which is a holiday in Haiti (Ancestor’s day).

Kite flying is a vital part of Haitian culture. Starting in the month of April, on the roofs of houses all across the country, children, their parents, and sometimes even their grandparents can be seen tugging on thin, nearly invisible pieces of thread tied up to makeshift kites. Most of them are made of plastic; the kind used to sell papita or roasted peanuts in — some clear, some blue, some pink. Others are more elaborate, made of brown paper with red and green accents, tails, and flourishes. All together, they dot the bright blue skies of early summer in colorful spiraling swarms.

In preparation for Festikap, organizers put together workshops to create a certain number of kites to be exhibited on that day. This festival is not just recreational, though – the preparation process encourages creativity and community engagement from different crowds. The festival hopes to revive interest in the endangered tradition of making and flying kites, and the efforts that go into planning Festikap can be considered as a kind of movement meant to transfer a skill and salvage a tenuous cultural heritage.

haitian boy in blue jeans with kite
Boy with kite at Festikap Festival, La Vallée de Jacmel
Photo: Franck Fontain

Getting there

La Vallée is located an hour’s drive northwest of Jacmel and about three hours’ drive southwest of Port-au-Prince. Although the name La Vallée suggests a low valley hidden in shadows, the town actually stands a half mile (around 800 meters) above sea level, and offers a panoramic view of the south of Haiti. A trip up to La Vallée unlocks the perfect experience for anyone hungry for a little bit more than simply spending a weekend at the beach.

Festikap is a great way to experience Haiti differently and genuinely. If colors, music, and community are your thing, it’s a must-visit event to add to your itinerary!


Written by Kira Paulemon.

Published October 2019


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Rum is big in Haiti. Here’s what to drink.

A woman makes rum cocktails while in a pool in Jacmel, Haiti
Poolside rum in Jacmel, Haiti
Photo: Amanacer / Emily Bauman

Rum is big in Haiti – Here’s what to drink

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While Barbadians are said to have invented modern rum…

…we think it’s the Haitians who perfected it. 

The precursors of rum date back to antiquity. Fermented drinks made from sugarcane juice are believed to have been developed first in ancient China or India before spreading from there.

The first modern rum was distilled in the sugarcane plantations of the Caribbean in the seventeenth century. Plantation slaves discovered that molasses, a by-product of the process of refining sugar from sugarcane, fermented into alcohol. While rum is said to have been invented in Barbados in the early 1600s, the first sugar mills in the Caribbean were established on Hispaniola in 1516, so the concept would have been able to quickly spread throughout what is now known as Haiti.

Here are five tipples to try while vacationing in Haiti.

01. Barbancourt

The classic. Haiti’s most popular rum has been distilled right here on the island for over 150 years, and earned a place in the hearts of Haitians that other brands can only dream of.

From high-end bars and fine-dining restaurants to neighborhood liquor stores, you’ll find Barbancourt everywhere. Barbancourt branding, as well as the drink itself, is splashed around at key cultural events in the capital and at patron saint festivals in the provinces.

Depending on the bar, you can sip up to four varieties of Barbancourt: a young, fresh white rum; the three-star 4yo; the five-star 8yo and the sought-after 15yo estate reserve. Rum connoisseurs rate the 8yo as best value-for-money.

Fancy a between-meals tipple on your private balcony or in your pool? Barbancourt is available at supermarkets, as well as specialty liquor stores such as La Bouteille.

02. Bakara

The second most popular rum in Haiti, Bakara is the drink of choice among Haiti’s younger crowd, not least due to its lower price point compared to Barbancourt. Backpackers on a budget: take note!

As well as being more wallet-friendly, Bakara’s range is more modern – and on the fruity side of things! The brand leans into Haiti’s natural bounty of tropical crops, with evocative Caribbean flavors such as grenadya (passionfruit), kanèl (cinnamon), and lanni (star Anise).

Bakara’s unflavoured standard range spans an 8yo, 12yo and an estate reserve.

It is worth noting that while Bakara is an Haitian brand, the distillery is over in the Domincan Republic, on the eastern half of the island of Hispaniola – though there are plans to start up production in Haiti itself.

03. Vieux Labbé

Produced and bottled in Haiti, Vieux Labbé has carved out a respectable niche for itself. The Vieux Labbé rums share part of their history with the Barbancourt name, but today we know them as standalone brands.

Vieux Labbé has under its wing: a young white rum; a three-star 3yo; a five-star 7yo; a signature blend and a complex 10yo.

04. Boukman

Boukman has made a name for itself in the United States as the first artisanal rhum agricole of its kind, boasting an exotic bouquet of West Indies spices.

What’s Rhum agricole? Unlike the majority of rums in the world, rhum agricole is distilled from fresh sugar cane juice rather than molasses. Starting its life as sugar grown in the cane fields outside Croix-des-Bouquets in Port-au-Prince and in Cap-Haïtien, Boukman boasts a whopping eleven different spices, barks and peels!

The best way to enjoy Boukman rum? Straight – with some ice and an orange twist, at most. If you don’t mind losing some of the complexity of the rum, Boukan is also a delicious way to spice up cocktails!

group of haitian men among a alcohol vendor
Kleren vendor in Jérémie
Photo: Franck Fontain

05. Kleren

No visit to Haiti is complete without a sip of fiery kleren. Also spelled “clairin” by French- and English-speakers, kleren is a quintessentially Caribbean drink and Haiti is its heartland. While there are some 50 kleren distilleries dotted around the rest of the Caribbean, there are over 600 in Haiti alone.

Kleren is a type of rum, not a brand – in fact, it has never been commercially bottled. Instead, it’s made using traditional techniques at artisan distilleries, most of them tiny shacks sprinkled throughout the countryside, producing just enough for the local village.

Like Boukan, kleren is a rhum agricole: processed from sugar cane juice, not molasses, creating a strong, smooth, unmistakable taste – sharp, powerful, to the point.

Kleren is enjoyed in its pure, unaltered state, but you can find flavored varieties as well. When a root or leaf is added to kleren to soak and infuse, the finished product is called tranpe (Haitian Kreyol for “dipped” or “soaked”).

Kleren is a vital element of Haitian culture and you’ll see it for sale by the roadside in gallon bottles. To try kleren for yourself, though, we recommend you visit a neighborhood liquor store – they tend to offer a range to choose from, and smaller bottles.

bottles with pre-mixed haitian cocktails
Ready-to-drink cocktails from MyaBèl
Photo: MyaBèl

06. Bonus: MyaBèl

In 2012 MyaBèl, an emerging Haitian brand, launched its own ready-to-drink cocktails.

There are currently three cocktails on offer in gorgeous packaging: Tomazo, which is rum, coconut and almond-based; Boukan Bou, which features rum, wild mint and star anise; and La Rat, which is vodka-based rather than rum-based and flavoured with grapefruit and Haitian blackberry.


Written by Kelly Paulemon.

Published August 2019


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The Museum of the Haitian National Pantheon

interior of haitian MUPANAH museum with golden sculptures
MUPANAH – Museum of The Haitian National Pantheon
Photo: Anton Lau

The Museum of the Haitian National Pantheon

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About the museum

Much of Haitian heritage is preserved orally. Songs, stories and structured debates rehearse and refine the histories and experiences down the centuries. As a visitor, you can only scratch the surface of this unseen medium of memory. If you’re in Champ-de-Mars, and you’re lucky, you might witness the debate circles that are part of the island nation’s oral tradition.

Material cultural memories, however, are a little easier for the curious traveller to find. If you’re in downtown Champ-de-Mars, you can find it in the Museum of the Haitian National Pantheon, or MUPANAH. Built partially underground, this museum displays artefacts illustrating Haiti’s history with an emphasis on its revolutionary years and its political and cultural forefathers.

Thanks to being partly underground, the museum survived the massive earthquake of 2010 almost unscathed. First opened in 1983, MUPANAH was designed to safeguard and display the lives and accomplishments of the country’s important forefathers: Alexandre Pétion, Henry Christophe, Toussaint Louverture, and Jean-Jacques Dessalines. This is where a lot of Haiti’s physical colonial history is kept intact.

What you’ll see

For a small fee, visitors get access to a wealth of history on Haiti and its past. Self-designated as the guardian of Haitian history, the museum is split into two show rooms: a permanent exhibit, and a temporary exhibit.

The permanent exhibit showcases artefacts from the pre-Columbian period to the contemporary period. It emphasizes the revolutionary period, during which an army of self-freed slaves and free people of color fought off the colonial system to abolish slavery.

A tour guide take visitors through Haitian history, starting off with the Taíno people who first inhabited the island. Visitors are walked through the voyages of the first colonizers to set foot on the island: the Spaniards.

Learn how Spanish colonizers used the Taíno people of the island as a resource, and how it came about that they began to traffic African slaves to Hispaniola as well.

See real examples of the actual shackles that were used to keep slaves under control, alongside gruesome instruments of torture used the slave masters. While this may be shocking for some visitors, the museum and its advisory board believe this is an important part of Haitian history that should be kept alive for the sake of our collective memory.

See the anchor of the Santa Maria ship – on which Christopher Colombus arrived in Haiti – standing at a daunting thirteen feet tall. This cold hunk of metal is a chilling reminder of the trigger that began the centuries of upheaval now embedded in the Haiti’s history and national identity.

Read documents signed by, and belonging to, prominent presidents – such as noted dictator François Duvalier – the museum also features the silver handgun which Henri Christophe used to commit suicide. On a more uplifting note, you’ll get to see the bell that was rung to announce that the country’s population were claiming their independence.

Temporary exhibits

The temporary exhibit displays artworks from various Haitian artists, and rotates on a regular basis. The art is often chosen based on a particular theme, including current events, music, social and economic issues, or historical events such as French colonisation.

Relax in gorgeous gardens

Outside of the museum are the MUPANAH Gardens. Open from Monday to Saturday, the Gardens are set in a lovely white greenhouse-like space with large open windows throughout. Light, airy, and expansive, the Gardens are a much needed antidote to Haiti’s often heavy history, and are a worthy destination in their own right for anyone looking for fresh air and tranquility in Port-au-Prince.

The Gardens feature a sculpture garden and sitting area set in the middle of typical Haitian greenery, and house the museum’s restaurant and gift shop. Overlooking the lush green spaces surrounding the museum, you can dig into some of the city’s best French cuisine. Sitting at a table in the Gardens for lunch is an upscale outdoor dining experience – a vivid contrast to the sizzling street food scene of downtown Port-au-Prince.

The Gardens also serve as a popular location for cultural events all year round, including the International Jazz Festival of Port-au-Prince. Special events, meals, or cocktails are announced at the venue itself, but also via social media.

Getting there

The museum is open seven days a week, including holidays. Tours are offered in French, Creole, and in English.

The Museum of the Haitian National Pantheon is located in Champs de Mars, downtown Port-au-Prince.


Written by Kelly Paulemon.

Published July 2019


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What is visiting Haiti like for Female travellers?

two haitians walking on small suspension bridge
Girl walking on bridge over Grande-Anse River
Photo: Franck Fontain

What is visiting Haiti like for female travellers?

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Vacationing alone means no compromises, more flexibility, and no one to judge you for spending your precious time in Haiti sleeping in and seeking out self-centered relaxation and bliss.

Still relatively undiscovered by mainstream tourists, Haiti offers a Caribbean experience decidedly off the beaten path. Sipping your morning cup of coffee, surrounded by cozy conversations in a blend of French and Kreyol, there’s zero chance the place will suddenly be overrun by a busload of Texan retirees or twenty-somethings on their first trip away from home.

While group trips are great ways to have memorable experiences, there is something to be said for taking a new destination by storm on your own – especially as a woman. To you we say: kudos! This one’s for you.

You might be wondering, though – what is visiting Haiti like for female solo travellers?

Haitian woman smiling in a straw hat, in Abricot
Woman in Abricot
Photo: Kolektif 2 Dimansyon

What to expect

Haiti has a long, poetic past of how it views and treats women. The country’s history is incomplete without the important women who played a part in setting it free, from Taíno Indians to freed black slaves. This is illustrated clearly in the way women are viewed as the poto mitan (central pillar) of Haitian households, and Haitian society. Mother’s Day, Easter, Christmas, birthdays – any celebration is an occasion to celebrate mothers, and Haitians don’t miss them.

On an individual level, and speaking generally of course, Haitian men treat women with courtesies, compliments and – often the other side of that cultural coin – catcalling. Haitian women have learned to be a step ahead of them and curb those behaviors before they get bothersome!

In everyday life, you’ll notice that people are ready to do favours for each other, but especially so for women. There is always a helpful hand to get a seat aboard a kamyonèt zooming away; if someone is missing change for the ride, someone else will offer to top it off; there is always a kind, watchful eye – usually another woman, looking out for women in Haiti.

Woman looks out onto water while taking a water taxi in Labadee
Traveller taking a water taxi in Labadee
Photo: Anton Lau

Accommodation, food, bars and bargaining

If you plan to stay at a resort or hotel, you will find your stay to be as smooth as it would be in any other similarly-starred accommodation in another country: respectful; courteous and pleasant. If you are staying at an AirBnB or with a host, there is an added layer of care and readiness to help. If your host happens to be a woman, you’re in luck! Topics concerning women aren’t taboo, and women are quite ready to answer questions about where to get what should your period decide to compensate for “island time” by showing up early. They’ll also be happy to chat about how to deal with certain gendered experiences particular to Haiti.

It is not uncommon at all for a woman to be offered a drink at a bar. Here, the same “Spidey sense” that serves you in your home country will serve you here. While most men just want to have a dance, it is not unusual for some of them to look for more than that. If you’re not interested, a firm and definite answer makes things clear.

Walking in the streets alone is definitely feasible, as long as you keep some basic things in mind. First, make sure you know exactly where you are going! Uncertainty is detectable, and in the wrong places, can make you vulnerable. Second, if you can have a friend walk with you – man or woman, it doesn’t really matter – you are more likely to deter people approaching you. Finally, all other tips for walking in the streets of any major city still apply: make sure you have enough change on you just in case, make sure your phone is charged, and keep it all in a (preferably!) small bag which is easy for you to get a hold of but difficult for others.

When it comes to purchasing artwork or souvenirs in artisan shops or in the streets, merchants are already used to women doing most of the buying, and therefore, most of the negotiating. While being a foreigner may not play to your advantage – because merchants automatically assume that you just have more money – this should not discourage you from bargaining for that paperweight, necklace, or painting! After some conversation, most merchants soften and are ready to reach a price point comfortable for both parties.

Woman relaxes in a pool at Le Plaza Hotel, Haiti
Relaxing in the pool at Le Plaza Hotel, Port-au-Prince, Haiti
Photo: Amanacer / Emily Bauman

With common sense, caution and a little preparation, Haiti is a feasible destination for women travelling alone – easygoing, fun, exciting, and safe in summer and winter. Don’t let the odd guy who can’t tell the difference between courtesy and a catcall hide the fact that most Haitians are as warm and gentle as the island breeze.


Written by Kelly Paulemon.

Published July 2019


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