TRAVEL UPDATE: Visit Haiti from Home
Site logo

music

How to Attend a Vodou Ceremony in Haiti

group of people standing around a candle and cosmogram drawn on floor
A Vodou ceremony
Photo: Pierre Michel Jean

How to Attend a Vodou Ceremony in Haiti

Copy LinkEmailFacebookShare

There’s no doubt that Vodou is a powerful spiritual tradition. The world’s first free black republic was formed, at least in part, thanks to the uniting spirit of Vodou. Vodou was the common thread that united leaders in the Haitian revolution, despite their lack of a common language, tribal bonds or country of origin. In the space of just a few years, in a seemingly miraculous feat against the odds, an army of slaves threw off their chains, overthrew the French colonial government, beat Napolean’s navy, abolished slavery, and formed modern Haiti.

Today, perhaps not despite but because of these powerful roots, Vodou may just be the most maligned, feared and misunderstood spiritual tradition in the western world. It’s time to set the records straight. Perhaps the best way to help celebrate the freedom fighters and dispel the myths is to attend a Vodou ceremony in Haiti and see for yourself.

Here’s how.

drummer with open shirt and sweaty chest
A drummer at a Vodou ceremony
Photo: Franck Fontain

Find out about a Vodou dans

Sacred Vodou gatherings can be called by many names, most often a ceremony, ritual or dance. In Haitian Kreyòl, Vodou practitioners often refer to the event as a dance (dans). The terms dance and ceremony will be used interchangeably for the purposes of this guide.

Find out ahead of time who and what the dance will be for

It may be helpful to ask who the dance will be for and what purpose, if any, is intended. For example, is there a specific lwa (spirit) being evoked? If the ceremony takes place in early November, it will likely be held in honor of the Gede lwa and Day of the Dead. Remember that Petwo deities are the fiery, offense-oriented counterpart of the gentler, protective Rada deities. This can help anticipate the tone of the ritual.

If this is your first time attending a Vodou ceremony, it is recommended to attend a Rada dance, not least because you’re less likely to see animal sacrifice. For example, you could attend a springtime dance held to usher in a season of abundant harvest, good luck and good health. You may wish to begin with a Rada dance for Erzulie Freda, the goddess of love and sensuality, or La Sirène, the mermaid goddess of good luck, fertility and material abundance.

The rites, devotions and overall style of ceremony will vary greatly depending on which part of Haiti you are attending the dance in. For example, Papa Legba and the twin spirits known as Marassa are all recognized through particular rites with certain rituals, dances, drum rhythms, offerings, prayers and cosmograms drawn on the ground. But the specific interpretations of a Legba or Marassa dance in Cap-Haïtien will vary from one held in Jacmel. This is true for all rites and rituals across the different Vodou temples in Haiti.

Learn more about the different Vodou Gods & Goddesses here!

older haitian woman in a red dress with blue sequins
A woman at a Vodou Ceremony
Photo: Pierre Michel Jean

Expect to be there a while

A Vodou dance can last a long time. In Jacmel for example, the rum-fuelled drummers that launch a ceremony at dusk can be found still drumming at dawn – albeit with swollen and bruised hands. So like any dance you attend in a foreign city, bring plenty of water and relax expectations of a set time for when it will end. If you want an exit strategy mid-dance, go with someone who you trust will be flexible to go when you are ready, pay your respects to the host who invited you if possible, and you can simply leave when you’re ready.

exterior of vodou temple with handpainted wall depicting spirits
Vodou peristyle in Artibonite
Photo: Emily Bauman / Amanacer

What a vodou temple looks like

Vodou dances take place at a peristil: a temple, usually round, always with a pole in the center called the central pole (poto mitan) representing the navel of the universe. Many Vodou temples in Haiti are indoor-outdoor, while others are fully enclosed or completely open to the sky. Some sacred rituals take place at waterfalls like Sodo or near a sacred mapou tree, but for the purposes of this guide, we will assume you will attend a ceremony at a peristil.

At the center of the ceremonial space, you’ll see an altar. Bottles represent gifts and offerings. Machetes are symbols of honor and respect to entities in the spirit world.

Check your cultural baggage at the door

On the altar, you may also see skulls and other human remains. While the western world associates bones with death, necromancy and spooky halloween kitsch, it is important to know that skulls hold nearly the opposite significance in Vodou. Try looking at the skull and seeing the comforting presence of an ancestor, or the balance between life and death.

While western cultures tend to avoid death and displace it from the family home, keeping the dead close is a crucial part of cultures from Romania to Indonesia to Haiti. In Vodou, death is not to be hidden from daily life, but embraced in ceremonies as a way to more fully appreciate and celebrate life.

Ancestors and dead family members may be called on to join the dance. Those who have passed away come among the community once more to offer advice, and take part in the rituals. Rather than framing this as a haunting, think of it as a glorious family reunion.

When attending a Vodou ceremony it is a good idea to approach the experience with a blank slate, and a relaxed, open mind, ready to learn. Check your cultural baggage at the door and enjoy the ride of a totally new experience!

a group of vodou practitioners dressed in white
Dancing at a Vodou ceremony
Photo: Franck Fontain

Wear something nice, but not white!

What you wear matters! Business casual attire is appropriate. Avoid loud T-shirts or anything ratty or worn outMen can dress in jeans and a short sleeve button-up shirt, and women jeans and a blouse. Aim for fancy but respectful clothing, and no lavish jewelry. Rural dances will generally be more casual.

Color is a key consideration. The purity of white is highly significant at the dance and is reserved for Vodou practitioners, so it’s best not to wear white to any Vodou ritual. Patterns and colors are acceptable – but be careful with colorful head scarves! Keep reading to find out why.

It’s helpful to remember that Haiti can be remarkably hot at nearly any time of year and even sometimes at night. Linen and cotton are your best friend, regardless of whether you plan to attend a ceremony in a city or rural environment.

Bring an offering

While a Vodou dance is no dinner party, it is appropriate to bring an offering of alcohol. Wine is not the hostess’ beverage of choice in this case. Ask if you can offer a liter or half gallon of unrefined rum, called kleren. You can buy it locally and inexpensively almost everywhere in Haiti, but the gesture is important and will be valued, particularly in rural settings. Kleren is the fuel of many Vodou dances, offered to the spirits and the sèvitè (servants of the spirits) alike. The drummers – who often play all night and into the dawn – will be especially appreciative.

a vodou priest and practitioner performing a dance
A ougan at a Vodou ceremony
Photo: Pierre Michel Jean

Beginning the dance

A series of prayers, sometimes Roman Catholic in origin, begin the ceremony. Vodou spirits who serve as gatekeepers are saluted with appropriate honors, offerings, and invocations. If invoking the fiery Petwo lwa, voudiwizans might use whip-cracks, whistles, gasoline and even lit gunpowder to get their attention.

Who leads the dance?

You will be able to identify the Vodou initiates (the men and women who will orchestrate the ceremony) by their all-white ceremonial garb. Most initiates wear traditional Haitian skirts in white, starched white blouses and a white handkerchief on the head. Some may wear colorful satin headwraps. The color of the headwrap is associated with the lwa being served that day, but it also indicates rank in the temple hierarchy.

Mambo or manbo is the name for a female Vodou priestess. Ougan is the name for a male Vodou priest. Mambo and ougan are figures of great authority and respect in the community, responsible for intervening in a wide range of societal hardships, from illness to family conflict, financial trouble or even just a string of bad luck. As intermediaries between the lwa and humans, they act as servants who restore health, harmony and balance.

Drumming is believed to create a passageway to the spirit world. It’s a rhythmic invitation to the lwa to attend the dance being held in his or her honor. Much like a radio station, when the drummers tune into the specific FM frequency of the lwa, it begins to broadcast on that channel. Each lwa has their own drum rhythm and associated dances, and there can be variations between traditions, as well – a Dahomey-descended drum rhythm is different from a Congo-descended drum rhythm. Initiates can spend lifetimes perfecting their repertoire.

cosmogram being traces on floor with hand holding a candle
A vèvè being drawn on the floor of a hounfour
Photo: Pierre Michel Jean

Vèvè cosmograms

Towards the beginning of the dance, initiated Vodou practitioners will trace a vèvè cosmogram on the floor with white powder. This takes immense skill, precision and training. These symmetrical vèvè are ancient and unique to each lwa.

Once it is traced in perfect symmetry on the floor of the temple, an essential element is in place permitting the lwa to descend. Like the unique drum rhythms, the unique cosmograms are call signs, drawing down a particular lwa. As well as the precisely-drawn vèvè on the ground, a sequined flag depicting the cosmogram is hung in a place of honor for all to see.

Learn more about the intricate art of Vodou symbols with our visual guide to the vèvè of Haitian Vodou.

Possession Trances

If the dance is a success, expect to see a possession trance. In creole the person possessed is known as the chwal (horse) that will be “ridden” by the lwa. Here’s how to identify a chwal:

You may see people with pupils dilated, people with spasmodic behaviour, seemingly out of control of their bodies doing the impossible like walking over flaming hot coals. There is no need to be alarmed when people give their bodies over to the lwa to be directed in this way. It means the ceremony is a success, and it represents a culmination of complex rites and practices that have survived hundreds of years of repression.

The trance is an opportunity for the spirit to perform healing through the possessed chwal. Blessings may take place, and it’s also a chance for the lwa to rebuke those in the community who need to smarten up and change their ways.

The possession trance may last for just a few minutes or for several hours. The chwal who has given his or her body in service to the lwa will most likely wake up exhausted, not remembering what has transpired.

people dressed in white dancing and drumming during vodou ritual
Drumming and dancing at a Vodou ceremony
Photo: Pierre Michel Jean

If you’re afraid of the devil or possession…

Put aside imagery from horror films like The Exorcist or associations of possession with demons. Instead, remember that people enter the possession trance willingly. No matter what happens, remember that Vodou is practiced to restore order, balance, health, and harmony in the lives of its followers.

Many non-practitioners both in Haiti and abroad have been taught to associate Haitian Vodou with evil, demonic possession and even satanism. This is rather silly and slanderous, as there is not even a satan figure in the Vodou pantheon of spirits who could be worshiped.

Vodou practitioners believe in a supreme god named Bondye or Gran Met who is all-powerful yet remains aloof. There is no devil counterpart to Bondye, and like the concept of “source” or “godhead”, he is not directly involved in human affairs. The multitude of lwa – spirits of the ancestors – serve as intermediaries, much more comparable to the saints of the Catholic church than demons.

Still afraid you might get spontaneously possessed? Read our article Haitian Vodou Revealed to learn why this won’t happen.

Animal sacrifice

To ask for good luck, the servants of the spirits may make a blood sacrifice. Animals like roosters, chickens, doves, pigs, and goats may be slaughtered during the ceremony. The offering can be more or less bloody depending on whether it is for a fiery Petwo bosu (bull) spirit offering compared to, say, a ceremony held in honor of the gentle rada Marassa twins.

For western travelers who have grown up aware of PETA campaigns and animal rights activism work, it may be difficult to fathom 5,000 year-old ancient rituals being practiced largely unchanged today. If you are concerned about your reaction to this ancient practice, ask for details in advance so you can decide whether or not to attend.

older haitian women dressed in pink with chair on head
Women at a Vodou ceremony
Photo: Pierre Michel Jean

Do your homework

Haiti’s National Museum in Port-au-Prince is a great place to see some of the oldest, most historic Vodou drums – some date back to the 1500’s! The Musée du Panthéon National Haïtien (MUPANAH) is located on the Champs de Mars Boulevard and features a collection showcasing the heroes of the independence revolution, and the tools they used to found modern Haitian culture.

Just around the corner from the National Museum is the Bureau of Ethnology, a museum dedicated entirely to Haitian Vodou! If possible, do visit at least one of these museums prior to your Vodou ceremony experience.

LGBTQ+ and Safe Spaces

Cross-dressing, trans identies, and all gender expressions are welcome in Vodou communities. Same-sex relationiships and behaviour are often accepted without question. No one bats an eye – in this space, at least, these minority identities are respected as servants of the goddess of love, Erzulie. Expect the dance to be a safe space. You may see men in women’s dresses and much stranger things.

haitian vodou practitioners during ceremony
A ‘Chire Aiyzan’ ritual being performed during a Vodou eremony
Photo: Pierre Michel Jean

100% Vodou

The truth is, that even some Haitians who follow the Protestant or Catholic traditions and attend mass on Sundays can be found seeking advice from a mambo or ougan during the week. In fact, a popular bumper sticker in Port-au-Prince reads “Haiti, 80% Protestant 100% Vodouisan.” For outsiders, this widely-accepted practice can be hard to understand. Yet when a family member falls ill or life situations get dire, this faith-flexibility is common. It’s part of the complex syncretism of Haitian culture, where things are multi-layered and far richer in meaning than they often seem on the surface. Some people might go so far as to argue that you cannot truly understand Haitian culture until you have taken part in a Vodou ceremony.

At the end of the day, no matter your race, religion, sexual orientation or country of origin, you will be accepted with grace and warmth at a Vodou ceremony. Everyone is respected and the protection, good luck, and wishes for good health are extended to all who attend.

What do you say? Maybe it’s time to dance…


Written by Emily Bauman.

Published January 2021.


Read story

Catch a show with Haitian Vodou rock band RAM

haitian lead singer in band dancing in front of microphone
RAM performing at Hotel Oloffson
Photo: RAM.com

Catch a show with Haitian Vodou rock and roots band RAM

Copy LinkEmailFacebookShare

Every Saturday night at the Hotel Oloffson, the band RAM – a Haitian national treasure – delivers an unforgettable performance of Vodou-infused rock. If you’re not a guest at the hotel or paying for a sit-down dinner, you’ll need to pay an entry fee of 500 HTG (about 5 U.S. dollars). The show starts around 10:30. Expect sing-a-longs with an enthusiastic crowd and dancing all night long.

haitian musicians playing on trumpets
RAM performers with vaksin horns
Photo: RAM.com

On the gothic gingerbread verandah of the Oloffson, you can join a decades-long tradition of watching the sun set over Port-au-Prince with a rum sour or rum punch. On Saturday nights, there’s another ritual going on.

Weekly performances by RAM have become a ceremony loved by all levels of society. Remarkably, in a country where consistency is hard to find, the band has consistently gigged at the Oloffson since 1990, when the band’s frontman took over running the hotel. In fact, the band gets its name from the initials of the Oloffson’s owner, Richard Auguste Morse. Morse’s wife, Lunise, is the lead singer and main dancer.

A “Vodou rock and roots” band, RAM incorporates traditional Vodou lyrics and instruments, such as rara horns and Petwo drums, into modern rock-and-roll grooves. Their lyrics are sung in a macaronic medley of Haitian creole, French and English that islanders and diaspora can appreciate especially. To hear it is to connect with a distinctive sound that could only have been born in Haiti.

haitian band performing in front of crowd
RAM performing at Hotel Oloffson
Photo: RAM.com

RAM live: an unmissable experience

First off, expect to see anyone and everyone here. The shows are and have always been attended not just by often-international hotel guests but a diverse spectrum of the country’s political and ethnic groups and subcultures. Humanitarian workers line the front row next to cross-dressed dancers and Haitian artists from nearby downtown neighborhoods. Corner tables are occupied by foreign ambassadors and visiting celebrities, or Grammy award-winning musicians with a love for Haiti.

The lights are few and far between, and often shine out blue and red. Near the permanent stage erected in the heart of the Oloffson mansion, genuine vodouwizan practitioners can be spotted in the throng of dancers. Some of the people in the crowd have been regulars here for 20 years. One woman in a white traditional frock and elaborate satin turban loves to spray sacred flower-scented florida water on the crowd. Many know the lyrics by heart, no matter what decade the song is from. Several people appear to have entered their own worlds, dancing with unearthly vigour, evoking the scenes of ritual possession one might see at a Vodou ceremony or at the Haitian Day of the Dead.

haitian musicians in red and blue dresses performing
RAM performing
Photo: RAM.com

The early days of RAM

The band started in 1990 when Morse negotiated the lease for the Hotel – then very dilapidated. He created a folklore dance troupe along with his wife and a group of musicians – many from the poorer districts of nearby downtown neighborhoods.

RAM prides itself on having deep roots but always adapting to the times. Many of the lyrics have subtle or not-so-subtle political messages. In the new release “Ayiti Leve”, the lyrics (in Kreyòl) say: “Haiti you sleep too much. It’s time to wash your eyes.” The music video shows the corridors of the Oloffson clouded in darkness. The lead singer’s son, William – also bass guitarist for the band – sits on a traditional high-backed wooden chair in the dark. His mother Lunise walks through the french doors and hands him a candle, illuminating his face and the iconic porch behind him.

The Vodou-inspired drumming is classic RAM but this time the visual is unexpected. “Wake up. See where you are,” the lyrics continue. One by one, Lunise places a candle in each of the band members’ hands. It’s the same shadow play that makes visitors of the Oloffson aware they are wading thickly into something unseen.

Their 2020 Carnival song, “Kongo Lazil O (Kan’w Pran Ou Konnen)” marked RAM’s 28th carnival song release, spanning an era that has seen violent revolts, revolutions, and sometimes unpopular public opinions of RAM’s frontman Morse.

During the years of Haiti’s military regime, one of RAM’s songs, “Fèy” (“Leaf” in english), was censored nationally and eventually banned from radio play by the regime, who correctly perceived it to be a song covertly supporting the exiled President Jean-Bertrand Aristide. In defiance of death threats, the band continued to play weekly concerts at the Oloffson – until Morse only narrowly escaped a kidnapping, almost being carried out by junta authorities from the hotel in the middle of a performance in 1994. In 1998, the band’s lyrics offended the newly-elected mayor of Port-au-Prince, and they survived an assasination attempt on their float during a Carnival performance. While the Thursday night performances have been switched to Saturdays in 2020, RAM continues to use their iconic stage as a launch pad for social commentary. The band is loyal to providing lyrical provocation to Haiti’s political landscape.

How to see the show

RAM plays on Saturday nights at the Hotel Oloffson, 60 Ave Christophe, Port-au-Prince, in the neighbourhood of Saint Gérard, just near trendy Pacot.

The show is free for hotel guests and dinner customers. If you’re not sleeping at the hotel or paying for a sit-down dinner, you’ll need to pay an entry fee of 500 HTG (about 5 U.S. dollars). The show starts around 10:30 and runs until late.


Written by Emily Bauman.

Published November 2020


Read story

Where to go dancing in Port-au-Prince

crowd of people dancing with hands in the air during a concert
PAPJAZZ, Quisqueya University
Photo: PAPJAZZ / Roberto Stephenson

Where to go dancing in Port-au-Prince

Copy LinkEmailFacebookShare

Dance to your own beat

With the sun sinking into the horizon over Bay du Port-au-Prince, the capital’s plethora of excellent bars are prime territory for drinking – and dancing – like a local.

But where to start? That’s where we come in! For week-long opportunities of nights out dancing in Port-au-Prince, here are our top recommendations:

haitian dj performining in front of ecstatic crowd
Yanvalou, Pacot, Haiti
Photo: Yanvalou

01. Yanvalou, Pacot

Yanvalou is a staple in Haitian nightlife. Once a week, it turns into party city with some of the capital’s best and freshest DJs, often featured alongside a performing band like Akoustik or Pawòl Tanbou, both regulars on the stage here. There is a cover charge of 500 HTG (about 5 U.S. dollars), and the party starts at 9 PM. When: Thursdays!

haitian girl with long braids smiling in dancing crowd
Fubar, Pétion-Ville, Haiti
Photo: Fubar

02. Fubar, Pétion-Ville

If you are in Pétion-Ville, this club is the place to be. Fubar is where you’ll find the city’s best flashback night, spinning everything from dancehall to old-school hip-hop. It’s always a fun time, especially with a great group of people! P.S.: there’s no cover charge! When: Fridays!

A line of dancers perform at the carnival in Jacmel, Haiti
Carnival in Jacmel
Photo: Franck Fontain

03. Carnival!

Carnival isn’t a venue, it’s an event. Or a month? Or maybe the real spirit of Haiti, descending underground for 11 months every year. Carnival is the best time to be in Haiti if you want the country to show you a good time!

While it may seem daunting to join in as an outsider, it is anything but – from pre-carnival Sunday daytime activities, to day-long activities on Champ-de-Mars during carnival itself, everything about Carnival in Haiti is an invitation to get moving. We recommend going in a good group – and staying smart – as it’s a super-crowded event. If you’re in Port-au-Prince during Carnival, you won’t have to wait until sundown to get your groove one – there’s dancing all day long!

Note: Separate carnivals happen across the country on a staggered schedule, so if you can’t be in PAP for the capital city’s carnival, you might be able to make it to Jacmel Carnival instead. When: January to February!

people relaxing on a hotel rooftop terrace
Asu Rooftop Lounge, Juvénat, Haiti
Photo: Asu Rooftop Lounge

04. Asu Rooftop Lounge, Juvénat

The fashion crowd heads to Asu – a notch more sleek and sophisticated than other venues on this list. You’ll find this rooftop lounge above Karibe Hotel in Juvénat. Asu is the home of house music in Haiti, and you’ll hear everything from popular hits to underground cuts. Reservations are strongly recommended. When: Fridays and Saturdays!

haitian musician with guitar singing on stage with microphone
Presse Café, Pétion-Ville, Haiti
Photo: PAPJAZZ

05. Presse Café, Pétion-Ville

For those seeking a more traditional, authentic musical experience of Haiti during their stay here, we can’t recommend Presse Café strongly enough. With a cozy, intimate setting, Presse Café is the destination for all things compas/kompa – a distinctive Haitian musical thread that crystallised in the 1950s after the band Conjunto International popularised it in mainstream music. Haitian compas legend Dadou Pasquet holds a residency at Presse Café on Friday nights. When: Fridays!

06. Goose Bar, in Tabarre

Island vibes call the island tribe! If you are looking for a low-key place to relax, unwind, and have a good, wholesome time – head over to Goose Bar in Tabarre! They host a weekly reggae event with a DJ and host that is sure to take the edge off a tough day. When: Wednesdays!

07. Anti-Stress, Lalue

Marked only by a small sign invisible to the untrained eye, Anti-Stress is one of those places that always has something going on, all week long – great music, ice-cold beers, and even a pool, if you’re trying to refresh, too! When you need a guaranteed good time no matter when you drop by, go straight to Anti-Stress! When: All week long!


Written by Kelly Paulemon.

Published March 2020


Read story

PAPJAZZ 2021

jazz concert on big stage in front of large sitting crowd
PAPJazz festival in Port-au-Prince
Photo: Josué Azor

PAPJAZZ 2021

Copy LinkEmailFacebookShare

One of the Caribbean’s leading music festivals, PAPJAZZ is a city-wide event, with over 10 venues across the capital – most of which offer free entry.

The 15th edition is scheduled for 16 – 23 January 2021. 

Also known as the Port-au-Prince International Jazz Festival, PAPJAZZ features outstanding Haitian artists and attracts jazz acts from across the Caribbean, the Americas and Europe. And the audience it draws is just as international.

Bars and restaurants throughout Port-au-Prince turn into venues, and entrance is free at all of them except the Karibe hotel. When you’re not busy enjoying live jazz acts, you can participate in a host of workshops and conference talks held over the week, all designed to explore the diversity of the Caribbean jazz scene.

How to get the most out of PAPJAZZ

Regular venues that play host to the festival include the Karibe hotel, L’Institut Français, Quisqueya University, and Place Boyer. Travellers on a budget take note of the PAPJAZZ shows scheduled for Quisqueya University — entry there is free!

During the festival, these and many more venues also open up for “after hours” events where you can relax in bars, beer gardens, pizzerias, observatories and arboretums, sipping a drink in a dreamy tropical setting with jazz playing in the background. Our tip for “after hours” jazz is Quartier Latin, an excellent restaurant offering sought-after ambience, Caribbean and Latin dining and arguably the best wine list on Hispaniola. What a way to escape the worst of the winter chill!

2021 PAPJAZZ lineup

The last years festivals drew talented artists from all over the world: Cecile Mc Lorin Salvant (US), Terence Blanchard (US), Barbra Lica (Canada), Emile Parisien and DAM’NCO (France), Julian and Roman Wasserfuhr (Germany), Oscar Pizarro (Chile) and Joss Stone (UK).

Haitian artists on stage included BIC, Claude Carré, Paul Beaubrun, Phyllicia Ross, Nina, Fatima, Vanessa Jeudi, Akoustik, Konpa Flashback, Follow Jah, Béatrice Kebreau and many more.

Check the full lineup on the Official PAPJAZZ website!


Written by Jean Fils.

Published October 2019

Updated December 2020


Experience Rara Easter

group of haitian walking while playing on trumpets during rara festivities
Rara band in Bois Moquette
Photo: Franck Fontain

Experience Rara Easter

Copy LinkEmailFacebookShare

Welcome to Haiti, and its one of a kind rara Easter!

Since Haiti is predominantly Catholic, you will see a lot of activity in churches in the lead up to Easter, some even organizing and leading marches through their parishes: some in Pétion-Ville, some in Lalue, some in Thomassin. For the devout, it’s a period of the year which never goes by without celebration.

If you pay close attention, though, you will notice there is another form of celebration going on – and it’s not a Catholic one.

haitian women in carnival decorations with trumpets
Rara band playing on vaksins
Photo: Kolektif 2 Dimansyon

History

In colonial times, from the moment they were unloaded from trade ships onto the island, slaves had to fight for everything: their survival, their freedom, and their culture. Because the first two were a harder, more substantial battle for them to win, they had to fight it every day until independence was won.

The cultures and languages they brought with them across the seas were viciously oppressed, and holding onto these was hard for people already fighting for survival and freedom. Slave masters were intent on ridding slaves of any thought, idea, or behavior that might make them think they were human.

When the Spanish colonised the island, they brought the Catholic calendar with them, and it remained standard on the island. The slave class found a way to keep their spiritual beliefs and practices alive by realigning their own traditions to match the timing of Catholic ones.

All throughout lent, slaves convened, but not to decide what they would give up. They convened in order to take something back – the musical traditions from their homelands, which they couldn’t normally risk under the watchful eye of the slave masters. During lent, musicians gathered and made music together, adapting customary instruments, traditions and narratives to their new life. Late at night, meeting in secluded locations, they found ways to celebrate their culture in all of its bright, bold loudness. Vodou was often a part of this celebration. Joining music and vodou together, a renewed and newly unified culture and religion arose.

This was the birth of rara, and the tradition is still alive and well in modern-day Haiti, and takes to the streets more boldly than ever before.

group of haitian walking while playing on trumpets during rara festivities
Rara band marching in Bois Moquette
Photo: Franck Fontain

How to experience rara Easter

If you are staying in Haiti around Easter, rara band performances usually begin around Ash Wednesday and end with a bang on Easter Sunday. The artist lineup is never publicly announced, but you can catch them playing, dancing, laughing, and running through the streets of Port-au-PrinceCap-HaïtienJacmelJérémie and more.

The sound of a rara band is unmistakable. A driven rhythm of drums, layered underneath a melody played on a couple of vaksin, a trumpet conventionally made from hollowed bamboo, but more often made of metal. You will hear the fast-paced scratching of the graj, against the loud, steady voices of people singing, stomping and dancing down the street.

As Martin Mull once put it, writing about music is like dancing about architecture. The spirit of rara is impossible to capture in words, so you’ll just have to come and see for yourself.


Written by Kelly Paulemon.

Published July 2019


Read story