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History & Heritage

Ciné Triomphe and Rex Théâtre

Couple leaving the Ciné Triomphe on Champ de Mars, Port-au-Prince
Ciné Triomphe on Champ de Mars, Port-au-Prince
Photo: Franck Fontain

Ciné Triomphe and Rex Théâtre

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Take a closer look

Opened in the 1930s, Rex Théâtre has seen Haiti’s culture shift and evolve and adapt to modern times. In the past, it housed many of Haiti’s literary figures as well as French poet André Breton. When the theater was still standing, the dance school Joëlle Donatien Belot would hold its yearly musical there. Parents and students rushed through the antique-lit corridors, ballet tights moved between dress pants and shiny shoes, and impatient audiences filled the foyer. The Rex was where modern movies were first shown in Haiti, and crowds could indulge in American snacks like hot dogs and popcorn.

During the 2010 earthquake, the Rex theater was almost entirely destroyed, and only the bare bones are left standing. If you visit the Champs de Mars, you’ll find it boarded up with colourful sheet metal and street art, waiting to be brought back to life.

The Ciné Triomphe fared better than the Rex Theatre. A competitor of the Rex in the mid century as a popular destination for film-lovers, the Triomphe actually closed down in the 1980s and sat empty. Three decades later, in 2015, the Triomphe reopened after arduous renovations, filling the gap created by the tragic – but hopefully temporary – loss of the Rex. The Triomphe now sports a sleek modern façade, with lettering in a bold red typeface. The Ministry of Culture has been in talks with the Bank of the Republic of Haiti to further improve the new venue.

Under the eaves of the Triomphe theatre, a long strip of artisans sell their arts and crafts: paintings, necklaces, bracelets, earrings, wooden bowls, metalwork, and more. Interspersed between these artisans street food merchants sell hot food, usually rice and beans, by the Styrofoam box. For an authentic treat, and relief from the Caribbean heat, find a Fresko or snow-cone merchant.

Getting there

The Ciné Triomphe and Rex Théâtre are located in Port-au-Prince on Champs de Mars.

People walk past the painted, ruined facade of Rex Théâtre on Champ de Mars, Port-au-Prince
Rex Théâtre on Champ de Mars, Port-au-Prince
Photo: Franck Fontain

Written by Kelly Paulemon.

Published August 2018


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old colonial houses on city street in jacmel

The Peabody House – A Gingerbread Palace

Aerial photo of the historic gingerbread building Peabody House in Pacot, Haiti
Peabody House in Pacot, Port-au-Prince, Haiti
Photo: Verdy Verna

The Peabody House – A Gingerbread Palace

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Constructed at the turn of the century, the delightful Peabody House is Haiti’s most famous example of a celebrated architectural form unique to the Caribbean.

Called ‘Gingerbread Houses,’ the high turrets, wraparound balconies, window peaks and lace-like lattice work make these tropical mansions into works of art.

Take a closer look

Situated in the main street of Pacot in the outskirts of Port-au-Prince, the Peabody House is almost completely obscured from the road. The house is set well into its block on Rue Garoute and surrounded by enough tropical palms that you wouldn’t be able to see it unless you knew what to look for.

Once inside the gate, you’ll notice a dozen large orb lamps hanging from wraparound porches on both levels. They punctuate the high French doors and draw the gaze to a focal point in what could otherwise be an overwhelming first impression. Large green palms rise to frame the wonderful architecture and add a lush air of luxury. Every part of the design has been carefully thought-through, and there’s no substitute for seeing it up close.

Walking up the cobblestone driveway towards the white three-story mansion, Peabody House rises up like a lavish palace. The pastel color scheme and cantilevered balconies might give you the sense that it’s more decorative than practical, but once you step onto the expansive porch you get a sense of the genius behind the design.

gothic victorian gingerbread mansion with orange roof
The Peabody House in Pacot, Port-au-Prince
Photo: World Monuments Fund

Comfort is key

The gingerbread design maximises air and light. Sunshine spills into the open-plan rooms, and cool air circulates throughout. Since Haiti is hot most of the year, the Peabody House, like all gingerbread houses built around Port-au-Prince, has high ceilings, windows and doors. Carved holes notched into the top of each door allow even more air to flow through.

Peabody House is without a doubt one of architect Leon Mathon’s most masterful gingerbread designs in all of Haiti. He built it in 1912 for Gustav Keitel. Originally named “Bismarchshock,” it was painstakingly restored in the 60s by American designer-decorator, Lawrence Peabody, and promptly renamed in gratitude.

You might say that gingerbreads are the original open-concept homes. On each of the house’s three levels, interior rooms open onto multiple wide, covered balconies. The high ceilings and broad, open windows allows breezes to blow freely through the entire house.

Wide shutters are thrown open onto views of the leafy green garden and a generously-sized swimming pool. It was inside a house just like this that Napoleon Bonaparte’s sister Pauline lived during her residence in Cap-Haïtien.

A flourishing national architectural style

Gingerbreads have been called “Haiti’s endangered species” and stalking the streets of Pacot in hope of a glimpse is a worthy way to spend an afternoon.

Hundreds of gingerbread mansions like Peabody House were built in Port-au-Prince, but no two are alike. One of the easiest ways you can visit these wonders is by heading to Pacot. It’s a largely residential neighborhood in Port-au-Prince, where most of the former gingerbread mansions have been converted into hotels like the Oloffson, art galleries such as El Saeih, and restaurants – including the fittingly-named Gingerbread.

What each house has in common is imaginative and delicate designs carved out of wood. Each mansion reflects the individuality of its owner and, importantly, it reflects the spirit of the day. In post-1804 independence Haiti, architecture was used to differentiate the island identity from that of France. They adapted different styles and a keen eye can distinguish subsets of architectural formalities that can be found from Jeremie to Jacmel to Cap-Haïtien. Gingerbread houses remain uniquely Haitian.

Light, air and love

Although they top the list of Haiti’s most recognised cultural heritage, the survival of gingerbread houses is under threat. Regular and expensive maintenance – everything from fixing roof lattices to fighting termites – is required to keep historic mansions like the Peabody House at their best, and some have sadly fallen into disrepair. But thanks to the constant vigilance of the Denis family, the Peabody House is in remarkable condition. Termites are kept at bay and you’ll often see fresh white paint on the eaves, turrets and lacework balconies.

The Peabody Mansion is indeed thriving even 100 years after its construction. If you look closely, you’ll see the brass plaque on the front of the house that pays tribute to German emigre to Haiti, Gustav Kietel, and the spirit of the day on which this fabulous dream was constructed. The plaque sums up what Gingerbread Houses were made for – “Licht, luft, liebe” (“light, air, love”).


Written by Emily Bauman.

Published July 2018


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